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J'ay grant espoir.anonymous intabulation after a vocal original SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 40v-41v (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 98-100.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 25-27. Editions1. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 25.2. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 154. Literature1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 3. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. 4. McGEE, Timothy J. 'Ornamentation, national styles, and the Faenza Codex', Early Music New Zealand, III/2 (1987): 3-14. RecordingsCodex Faenza. Italie XVe siècle, Marcel Pérès, Ensemble Organum (1991): Harmonia Mundi HMC 901354. |
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