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[Or sus, vous dormTs trop]anonymous intabulation after a vocal original SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 48v-49 (2/0).Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 73-74.2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 41-42. Editions1. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 41.2. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 117. LiteratureMcGEE, Timothy J. 'Ornamentation, national styles, and the Faenza Codex', Early Music New Zealand, III/2 (1987): 3-14.RecordingsMachaut and his time, Alba Musica Kyo (1994): Channel Classics CCS 7094. |
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