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Estampie retroveanonymous untexted work SourcesLondon: British Library, Additional 28550 (Robertsbridge Codex), fol. 43v (2/0).Facsimiles1. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 89.2. ARLT, Wulf. 'Instrumentalmusik im Mittelalter: Fragen der Rekonstruktioneiner schriftlosen Praxis', Basler Jahrbuch für Historische Musikpraxis, VII (1983), 60. Editions1. Keyboard Music of the Fourteenth and Fifteenth Centuries, edited by Willi Apel, [n.p.]: American Institute of Musicology, 1963. Corpus of Early Keyboard Music 1, no. 3.2. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966, no. 58. 3. English Music for Mass and Offices (II) and Music for Other Ceremonies, edited by Ernest H. Sanders, Frank Ll. Harrison and Peter M. Lefferts, Monaco: Editions de L'Oiseau-Lyre, 1986. Polyphonic Music of the Fourteenth Century XVII, p. 153. Literature1. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 90.2. LINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 33, examples 5 and 12. |
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