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En remirant vo douce pourtraitureanonymous ballade SourcesCambrai: Bibliothèque Municipale B. 1328 (1176), ff.8-15, fol. 15v (4/1).Editions1. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 68.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II, p. 40. 3. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 123. Literature1. PIRROTTA, Nino. '"Dulcedo e subtilitas" nella pratica polifonica franco-italiana al principio del '400', Revue belge de musicologie, II/3-4 (1948), p. 130.2. BESSELER, Heinrich. 'Hat Matheus de Perusio Epoche gemacht?', Die Musikforschung, VIII (1955), p. 21. 3. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 7-8. 4. HOPPIN, Richard H. Review of Suzanne Clercx: Johannes Ciconia, Musical Quarterly, XLVII (1961), p. 417. 5. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 62, 65. 6. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, pp. 31, 33. 7. WILKINS, Nigel. 'Ballade (i)', The New Grove, II (1980): 76-78. 8. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:New York, 1986, pp. 122-127. 9. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 78. |
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