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Esperance, que en mon cuerThree-voice anonymous rondeau SourcesCambridge: University Library, Additional 5943, fol. 165 (3/0);Gent: Rijksarchief n.133 (Abbey of the Groenen Briel), fol. 1v-2 (3/1); Paris: Bibliothèque Nationale, fonds italien 568, fol. 6v-7 (3/0); Praha: Státní Knihovna CSSR - Universitní Knihovna XI E 9, fol. 247 (3/0); Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 72v (lost); Vorau: Bibliothek des Augustiner Chorherrenstifts 380, fol. 87v (3/0) (different Contratenor). FacsimilesSTROHM, Reinhard. 'The Ars nova fragments of Gent', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXXIV (1984): 109-135.Editions1. Die Musikstücke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931, p. 117.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 89. 3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 57 (Cu5943 (C,T), Pn568 (CT). Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 126-127.2. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 107. 3. STROHM, Reinhard. 'The Ars nova fragments of Gent', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXXIV (1984), p. 113. |
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