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J'ay mis ce rondeletThree-voice anonymous untexted work SourcesStrasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 79 (4/0).FacsimilesBruxelles, Bibliothèque du Conservatoire Royal de Musique. (A copy by Edmond de Coussemaker of 48 compositions from F-Sm 222), n44.Editions1. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 155.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 97. 3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 72. Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, p. 142.2. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), p. 60/n47. 3. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268. 4. NEWES, Virginia. 'Writing, reading and memorizing: the transmission and resolution of retrograde canons from the 14th and early 15th centuries', Early Music, XVIII/2: 218-234, pp. 225, 229. |
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