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Jour a jour la vieFour-voice anonymous rondeau SourcesFlorence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 73v-74 (3/0);Innsbruck: Universitätsbibliothek, MS. s.s. (Wolkenstein-Rodeneck Codex), number 48 (3/1) (Contrafactum); London: British Library, Cotton Titus A. xxvi, number 1 (3/1) (different Contratenor); Munich: Bayerische Staatsbibliothek, Clm 14274 (olim M.mus. 3232a), fol. 46v-47 (3/1); Paris: Bibliothèque Nationale, fonds italien 568, fol. 121v (2/0); Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 66 (4/1); Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 30v-31 (lost); Strasbourg: Bibliothèque Municipale (olim Bibliothèque de la Ville) 222 C. 22, fol. 48 (Contrafactum)(lost); Vienna: Österreichische Nationalbibliothek 2777, fol. 14v-15 (3/1) (Contrafactum). FacsimilesIl codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 136 (FP).Editions1. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, no. 4 (LblCT26).2. GÜNTHER, Ursula. Zehn datierbare Kompositionen der Ars Nova, Hamburg: 1959. Schriftenreihe des Musikwissenschaftlichen Instituts der Universität Hamburg, Heft II, no. 1 [R PhD ed.]. 3. A Fourteenth-Century Repertory from the Codex Reina, edited by Nigel Wilkins, [n.p.]: American Institute of Musicology, 1966. Corpus Mensurabilis Musicae 36, p. 67 (Pn6771). 4. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 30 (Pn568, LblCT26). 5. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 102. 6. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 78 (Pn6771). Literature1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la bibliothèque de Strasbourg (XVe siècle) brulé en 1870, et reconstitué d'après une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 96-97, 195.2. DÉZES, K. 'Der Mensuralcodex des Benediktinerklosters Sancti Emmerami zu Regensburg', Zeitschrift für Musikwissenschaft, X (1927-1928), p. 99. 3. REANEY, Gilbert. 'Voices and instruments in the music of Guillaume de Machaut', Revue belge de musicologie, X (1956), p. 100. 4. HARMAN, Alec. Man and His Music: The Story of Musical Experience in the West. Vol I: Mediaeval and Early Renaissance Music, London: Barrie and Rockliff, 1962, pp. 176-177. 5. PLAMENAC, D. 'Faventina', Liber Amicorum Charles van den Borren, edited by Albert Vander Linden, Antwerp: Lloyd Anversois, 1964, p. 150. 6. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), pp. 212, 219, 220. 7. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174. 8. STROHM, Reinhard. Music in Late Medieval Bruges, Oxford: Clarendon Press, 1985, pp. 107, 114-116. 9. BERGER, Christian. Hexachord, Mensur und Textstruktur, Stuttgart: Franz Steiner, 1992, p. 238. RecordingsThe study of love, Gothic Voices, directed by Christopher Page (1992): Hyperion CDA66619. |
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