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La grand doultour, le plaisir et la joyeThree-voice anonymous rondeau SourcesUtrecht: Universiteitsbibliotheek 1846 (shelfmark 6 E 37), fol. IIIA (3/1) (Contratenor incomplete).Editions1. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 106.2. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 85. Literature1. THIBAULT, Geneviève. 'Emblèmes et devises des Visconti dans les oeuvres musicales du Trecento', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, p. 152.2. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 3. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter: 1984, pp. 55-76. 4. CILIBERTI, Galliano. Prodizione, consumo e diffusione della musica in Italia nel tardo medioevo, Perugia: Centro di Studi Musicali in Umbria, 1989, p. 20. |
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