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Conbien que tout houme est forme de cendreThree-voice anonymous rondeau SourcesTorino: Biblioteca Nazionale s.J.II.9, fol. 156 (3/1).EditionsThe Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale, J.II.9. IV. Virelais and Rondeaux, edited by Richard H. Hoppin, Rome: American Institute of Musicology, 1963. Corpus Mensurabilis Musicae 21/IV, p. 64.Literature1. GALLO, F. Alberto. Il Medioevo, vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], p. 79.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 3. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter: 1984, pp. 55-76. |
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