|
|
 |
|
 |
|
Tres douce playsant figureanonymous virelai SourcesChantilly: Bibliothèque du Musée Condé 564, fol. 14 (3/1).Editions1. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 65.2. French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII, p. 12. LiteratureGÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960), pp. 291-292.Recordings1. [Guillaume de Machaut], Illinois Collegium Musicum, Thomas Binkley (lute), directed by George Hunter (1956): Westminster XWN 18166.2. Guillaume de Machaut. La Messe de Notre Dame, Virelais, Rondeaux, Ballades, Lai, The Purcell Choir with instrumental ensemble, John Caldwell, directed by Frank Ll. Harrison, Grayston Burgess (1969): Oiseau-Lyre SOL 310 (GB) [ZTT-717-IG]. 3. Hommage à Machaut, Ars Cameralis, Prague (1978): Panton 8111 0056. |
 |
|
|
|
|
|
|
|
|
