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Medieval Music Database

Seghugi a corta e can per la foresta

anonymous caccia

Sources

Florence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 99 (3/2);
London: British Library, Additional 29987, fol. 77v (3/2).

Facsimiles

1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).
2. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 174 (FP).

Editions

1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 83 (Fn26).
2. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1960. Corpus Mensurabilis Musicae 8/II, p. 64.
3. Italian Secular Music: Anonymous Madrigals and Cacce and the Works of Niccolò da Perugia, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1972. Polyphonic Music of the Fourteenth Century VIII, p. 87 (Fn26)., p. 89 (lBL29987).
4. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985.
5. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983.

Text Editions<

1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1105.
2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 359.

Literature

1. Cacce in rima dei secoli XIV e XV, edited by Giosuè Carducci, Bologna: Zanichelli, 1896.
2. PIRROTTA, Nino. 'Piero e l'impressionismo musicale del secolo XIV', L'Ars nova italiana del Trecento 1: Certaldo 1959, 1962, pp. 57-74.
3. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.
4. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224.
5. BRASOLIN, M.T. 'Proposte per una classificazione metrica delle cacce trecentesche', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 91-93.
6. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim.


Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003


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