La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

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Medieval Music Database

Se je chant mains que ne suelh
anonymous chasse

Sources

Ivrea: Biblioteca Capitolare 115, fol. 52v (3/3);
Paris: Bibliothèque Nationale, Coll. de Picardie 67, fol. 67v (3/3); Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 8v-9 (lost).

Facsimiles

Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: Bärenreiter, 1949 ff, p. 715 (Pn67).

Editions

1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925), p. 251 (as 2-part).
2. History of Music in Sound. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes, London: Oxford University Press, 1953, p. 13.
3. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 5 (Pn67).
4. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 162.
5. Anthology of Medieval Music, edited by Richard H. Hoppin, New York: W. W. Norton, 1978, no. 60.
6. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 209 (IV115).

Literature

1. NOVATI, Francesco. 'Una caccia francese del sec. XIV', Studi medievali, III (1907), pp. 146-147.
2. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.
3. PIRROTTA, Nino. 'Per l'origine e la storia della "caccia" e del "madrigale" trecentesco', Rivista musicale italiana, XLVIII (1946), pp. 318-319, 321-322.
4. BONACCORSI, Alfredo. 'Un nuovo codice dell' Ars nova: Il codice Lucchese', Atti della Accademia Nazionale dei Lincei, Ser. 8, I/12 (1948), pp. 605-606.
5. BESSELER, Heinrich. 'Ars Nova', Die Musik in Geschichte und Gegenwart, I (1951): 702-729.
6. HOPPIN, Richard H. 'Some remarks a propos of Pic. (B.N. coll. de Picardie vol. 67, folio 67)', Revue belge de musicologie, X (1956), p. 106.
7. REANEY, Gilbert. '"Ars Nova" in France', [chapter 1 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, pp. 16-18.
8. MARTINEZ, Marie L. Die Musik des frühen Trecento, Tutzing: Hans Schneider, 1963. Münchener Veröffentlichungen zur Musikgeschichte 9.
9. REANEY, Gilbert. 'Music in the late medieval entremets', Annales Musicologiques, VII (1964-1977), p. 64.
10. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), pp. 140-142.
11. GÜNTHER, Ursula. 'Zitate in französischen Liedsätzen der Ars nova und Ars subtilior', Musica Disciplina, XXVI (1972), pp. 54-55.
12. GALLO, F. Alberto. Il Medioevo, vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], p. 47.
13. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, pp. 371-373.
14. GÜNTHER, Ursula. 'Problems of dating in Ars nova and Ars subtilior', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 290.
15. BROWN, Howard M. 'Chanson. I. Origins to about 1430', The New Grove, IV (1980): 136-137.
16. GAGNEPAIN, Bernard. 'La musique en France a l'arrivée de Guillaume de Machaut', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, p. 275.
17. ZIINO, Agostino. 'Guillaume de Machaut, fondateur d'école?', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, p. 334.
18. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.

Recordings

1. The "Canon" in the Fourteenth Century: Chace and Caccia, H. Guermant (S), F. Mertens (A), F. Anspach (T), E. Jacquier, directed by Safford Cape (1937): Anthologie Sonore AS 59.
2. The History of Music in Sound. Vol. III. Ars Nova and the Renaissance (c. 1300 - 1540), Pro Musica Antiqua/Cape, Lemuel Hughes, Clarence Roberts, Br (1953): HMV HMS 20-31, 21=(78rpm mx. 2EA 15609-1B).
3. Secular Music circa 1300 (Weltliche Musik um 1300), Early Music Studio, directed by Thomas Binkley (1966): Telefunken AW6 41219 (SAWT 9504).
4. Philippe de Vitry and the Ars Nova, Robert Hare-Jones (CT), Charles Daniels (T), Angus Smith (T), Donald Greig (Bar), Orlando Consort (1991): CD-SAR 49.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003