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Medieval Music Database

Talent m'es pris de chanter
anonymous chasse

Sources

Innsbruck: Universit�tsbibliothek, MS. s.s. (Wolkenstein-Rodeneck Codex), fol. 30-31 (Contrafactum);
Ivrea: Biblioteca Capitolare 115, fol. 10 (3/3), 52 (3/3);
Praha: St�tn� Knihovna CSSR - Universitn� Knihovna XI E 9, fol. 249v (2/0);
Strasbourg: Biblioth�que Municipale (olim Biblioth�que de la Ville) 222 C. 22, fol. 59v (Contrafactum)(lost), 88v? (Contrafactum, lost);
Vienna: �sterreichische Nationalbibliothek 2777, fol. 33 (Contrafactum).

Editions

1. Die Musikst�cke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931, p. 137 (Pu XIE9, IV f.10, IV f.52.
2. REESE, Gustave. Music in the Middle Ages, New York: W. W. Norton, London: J.M. Dent & Sons, 1940, no. 99.
3. HANDSCHIN, Jacques. 'The Summer Canon and its background, I', Musica Disciplina, III (1949), p. 8.
4. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley): 1970.
5. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 53/III, p. 168 (IV f.52).
6. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 219 (IV f.10)., p. 221 (IV f.52).
Literature
1. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la biblioth�que de Strasbourg (XVe si�cle) brul� en 1870, et reconstitu� d'apr�s une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 107-108., p. 152.
2. REESE, Gustave. Music in the Middle Ages, New York: W. W. Norton, London: J.M. Dent & Sons, 1940, p. 336, 379.
3. PIRROTTA, Nino. 'Per l'origine e la storia della "caccia" e del "madrigale" trecentesco', Rivista musicale italiana, XLVIII (1946), p. 318.
4. HANDSCHIN, Jacques. 'The Summer Canon and its background, I', Musica Disciplina, III (1949), pp. 80-82.
5. FICKER, Rudolf von. 'The transition on the continent', [chapter 5 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, pp. 136-137.
6. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, p. 371.
7. G�NTHER, Ursula. 'Sinnbez�ge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 229-268.
Text
Talent m'est pris de chanter cume le coqu:
cucu cucu quo-cocu cha le quocu
cucu quocu cucu cucu quo-quocu
li joli tans est venus.
Talent m'est pris de chanter cume le coqu:
cucu cucu quo-cocu cha le quocu.
Translation
The fancy has taken me to sing like the cuckoo:
cuckoo, cuckoo, cu-cuckoo, there the cuckoo.
cuckoo, cuckoo,cuckoo, cuckoo, cu-cuckoo.
the fair season has come.
The fancy has taken me to sing like the cuckoo:
cuckoo, cuckoo, cu-cuckoo, there the cuckoo.
Text revision and translation © Jan Pinder

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

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