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Medieval Music Database

Flos ortus inter lilia; Celsa cedrus; [Quam magnus pontifex]

Three-voice anonymous motet

Sources

Cambrai: Bibliothèque Municipale 1328, fol. 14v Besseler: CaB 4part? I have assumed Fsl;
Florence: San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 62v;
Ivrea: Biblioteca Capitolare 115, fol. 9v-10 (3/2);
Paris: Bibliothèque Nationale, fonds nouv. acq. français 23190 (olim Serrant Château, ducs de la Trémoïlle), fol. 40v-41 (lost); Bibliothèque Nationale, fonds nouv. acq. latines 2444, fol. 49 (3/2).

Facsimiles

LERCH, Irmgard. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie, Kassel: Bärenreiter, 1987. Göttinger Musikwissenschaftliche Arbeiten, Band II, 198.

Editions

1. Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 42.
2. LERCH, Irmgard. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie, Kassel: Bärenreiter, 1987. Göttinger Musikwissenschaftliche Arbeiten, Band II, p. 175.

Literature

1. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31.
2. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992.
3. WATHEY, Andrew. 'The motets of Philippe de Vitry and the fourteenth-century Renaissance', Early Music History, 12 (1993), p. 128.

Recordings

Philippe de Vitry and the Ars Nova, Robert Hare-Jones (CT), Charles Daniels (T), Angus Smith (T), Donald Greig (Bar), Orlando Consort (1991): CD-SAR 49.


Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003


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