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Pictagore per dogmata; O terra sancta; Rosa vernansFour-voice anonymous motet SourcesChantilly: Biblioth�que du Mus�e Cond� 564, fol. 63v-64 (4/2).Editions1. The Motets of the Manuscripts Chantilly, Mus�e Cond�, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula G�nther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. 33.2. Motets of French Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1968. Polyphonic Music of the Fourteenth Century V, p. 128. Literature1. BESSELER, Heinrich. 'Ars Nova', Die Musik in Geschichte und Gegenwart, I (1951): 702-729.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 3. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 121-154. |
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