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Ade finit perpete; Ade finit misere; A definement d'estT lerrayThree-voice anonymous motet SourcesOxford: New College Library 362, item XXVI, fol. 87v (3/2);Tours: Bibliothèque Municipale 925, fol. 166 (3/2) (incomplete). Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, pp. 45-46 (Onc362, diplomatic).2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plate 87 (Onc362). EditionsMotets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 16.Text Editions<ANDERSON, Gordon A. 'New sources of medieval music', Musicology [Australia], VII (1982): 1-26.Literature1. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573.2. ANDERSON, Gordon A. 'New sources of medieval music', Musicology [Australia], VII (1982), p. 2. 3. CALDWELL, John. 'Letter to the Editor', Music and Letters, LXIII (1982): 384-385; LXV (1984): 325. 4. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 290-291. RecordingsMusic of the Middle Ages. Vol IV: English Polyphony of the 13th and early 14th Centuries, Russell Oberlin (C-T), Charles Bressler (T), Ensemble, directed by Saville Clark (1957): Expériences Anonymes EA 0024. |
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