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[Q]uare fremuerunt gentes; [Q]uare fremuerunt gentesanonymous troped chant SourcesLondon: British Library, Sloane 1210, fol. 140v-141 (3/2).Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, p. 76 (Sloane140v-141).2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 32-33. Editions1. SANDERS, Ernest H. Medieval English Polyphony and its Significance for the Continent, Disseration, Columbia University, 1973, p. 234.2. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 53. Literature1. REANEY, Gilbert. 'John Dunstable and late medieval music in England', The Score, V (1953), p. 26.2. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 70-71, 258-259. |
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