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[D]eus creator omnium; [R]ex genitor ingenite; Doucement mi reconforteThree-voice anonymous motet SourcesOxford: Bodleian Library, e. Museo 7, fol. 267v-268 (3/3).Facsimiles1. STAINER, J, J.F.R. and C. Early Bodleian Music, vols. 1 and 2, London: 1901. NICHOLSON, E. W. B. vol. 3, London: 1913, pp. XII-XIII.2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 57-58. Editions1. STAINER, J, J.F.R. and C. Early Bodleian Music, vols. 1 and 2, London: 1901. NICHOLSON, E. W. B. vol. 3, London: 1913, Vol. II, p. 32.2. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 100. Literature1. BREWER, Charles E. 'A fourteenth-century polyphonic manuscript rediscovered', Studia Musicologica Academiae Scientiarum Hungariae, XXIV/1-2 (Budapest 1982), p. 10.2. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 84-86, 175, 278-279. |
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