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Fusa cum silencio; Labem lavat criminis; ManereThree-voice anonymous motet SourcesDurham: Cathedral Library C.I.20, fol. 1v (3/2);Oxford: Bodleian Library, Hatton 81, fol. 2v (3/2). Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, pp. 64-65 (Ob81, diplomatic).2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 69 (Ob81), 150 (DRc20). EditionsMotets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 126.Literature1. HARRISON, Frank Ll. 'Ars nova in England: a new source', Musica Disciplina, XXI (1967), pp. 78-79., pp. 78-79.2. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573. 3. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 249-250. |
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