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Orto sole serene novitatis; Origo viri jam; [O] Virga Jesseanonymous troped chant SourcesCambridge: Gonville and Caius College 512/543, fol. 256v-257 (3/2);Durham: Cathedral Library C.I.20, fol. 3v-4 (4/3). Facsimiles1. APFEL, Ernst. Studien zur Satztechnik der mittelalterlichen englischen Musik, 2 vols., Heidelberg: Carl Winter, 1959. Abhandlungen der Heidelberger Akademie der Wissenschaft, Philosophisch-Historische Klasse 5, pp. 74-75 (Cgc512, diplomatic).2. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plates 132-133 (Cgc512), 154-155. Editions1. SANDERS, Ernest H. Medieval English Polyphony and its Significance for the Continent, Disseration, Columbia University, 1973, p. 244 (Cgc512).2. WIBBERLEY, Roger. English Polyphonic Music of the Late 13th and Early 14th Centuries: A Reconstruction, Transcription and Commentary, D.Phil. dissertation, University of Oxford (Keble), p. 309 (Cgc512). 3. Motets of English Provenance, edited by Frank Ll. Harrison, Monaco: Editions de L'Oiseau-Lyre, 1980. Polyphonic Music of the Fourteenth Century XV, p. 136 (DRc20). Literature1. HARRISON, Frank Ll. 'Ars nova in England: a new source', Musica Disciplina, XXI (1967), p. 83., p. 83.2. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 242-243, 354. |
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