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Jhesu redemptor omnium labencium; Jhesu labentes respice; Jhesu redemptor omniumanonymous troped chant. SourcesCambridge: Fitzwilliam Museum 47-1980 (olim Bradfer-Lawrence 34[3]), fol. 2 (3/2).Facsimiles1. Manuscripts of 14th Century English Polyphony: A Selection of Facsimiles, edited by Frank Ll. Harrison and Roger Wibberley, London: Stainer & Bell, 1982. Early English Church Music XXVI, plate 145.2. Cambridge Music Manuscripts, 900 - 1700, edited by Iain Fenlon, Cambridge: Cambridge University Press, 1982, page 71. Text EditionsEnglish Music for Mass and Offices (II) and Music for Other Ceremonies, edited by Ernest H. Sanders, Frank Ll. Harrison and Peter M. Lefferts, Monaco: Editions de L'Oiseau-Lyre, 1986. Polyphonic Music of the Fourteenth Century XVII, p. 21.Literature1. BOWERS, Roger. 'Cambridge, Fitzwilliam Museum, MS 47-1980' [in] 'New sources of English thirteenth- and fourteenth-century polyphony', compiled by P. Lefferts and M. Bent, Early Music History, 2 (1982), pp. 287, 289-291.2. BENT, Margaret and Peter LEFFERTS. 'New sources of thirteenth- and fourteenth-century English polyphonic music', Early Music History, edited by Iain Fenlon, Cambridge: Cambridge University Press, 2 (1982), pp. 289-291. 3. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 114, 237-238. |
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