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Patrem ab eterno; Patrem omnipotentem; Talis estFour-voice anonymous motet SourcesCambrai: Bibliothèque Municipale B. 1328 (1176), ff.1-7, fol. 1 (#1 and 2) (Secundus and Tenor incomplete).FacsimilesDie Handschrift London, British Museum, Add. 27630 (LoD). I: Faksimile, edited by Wolfgang Dömling, Kassel: Bärenreiter, 1972. Das Erbe deutscher Musik 52/53, (LoD108-108v).Editions1. Fourteenth-Century Mass Music in France, edited by Hanna Stäblein-Harder, [Rome]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 29, p. 66.2. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), Vol. II, p. 169. Literature1. FISCHER, Kurt von. 'Elementi arsnovistici nella musica boema antica', L'Ars nova italiana del Trecento: Certaldo 1961-1967, 1968, p. 82.2. HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols., Ph.D. dissertation, University of California (Berkeley), p. 20. 3. LERCH, Irmgard. 'Messkompositionen mit kanonischen Stimmen - eine internationale Erscheinung?', Musica Disciplina, XLI (1987): 59-73. |
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