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Kyrieanonymous intabulation SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 88-90.Facsimiles1. PLAMENAC, Dragan. 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Bern: Paul Haupt, 1953, ills. 2b/3/4.2. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 85-89. 3. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 93-97. Editions1. PLAMENAC, Dragan. 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Bern: Paul Haupt, 1953, no. 2.2. Transcriptions from the Faenza Codex, edited by R. Huestis, Westwood, 1971, p. 127. 3. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 113. 4. KUGLER, Michael. Die Tastenmusik im Codex Faenza, Tutzing: Hans Schneider, 1972. Münchner Veröffentlichungen zur Musikgeschichte 21, p. 151. 5. Italian Sacred Music, edited by Kurt von Fischer and F. A. Gallo, Monaco: Editions de L'Oiseau-Lyre, 1976. Polyphonic Music of the Fourteenth Century XII, p. 171. Literature1. PLAMENAC, Dragan. 'Keyboard music of the 14th century in codex Faenza 117', Journal of the American Musicological Society, IV (1951), p. 193.2. LINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 38, examples 19, 20. |
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