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Gloriaanonymous intabulation SourcesFaenza: Biblioteca Comunale 117 (Faenza Codex), fol. 90-92v.Facsimiles1. PLAMENAC, Dragan. 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Bern: Paul Haupt, 1953, ill. 4.2. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 89-94. 3. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 97-102. Editions1. Transcriptions from the Faenza Codex, edited by R. Huestis, Westwood, 1971, p. 131.2. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 118. 3. KUGLER, Michael. Die Tastenmusik im Codex Faenza, Tutzing: Hans Schneider, 1972. Münchner Veröffentlichungen zur Musikgeschichte 21, p. 157. 4. Italian Sacred Music, edited by Kurt von Fischer and F. A. Gallo, Monaco: Editions de L'Oiseau-Lyre, 1976. Polyphonic Music of the Fourteenth Century XII, p. 176. LiteratureLINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 38, example 17. |
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