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Benedicamus DominoTwo-voice anonymous intabulation SourcesBurgos: Monasterio de Las Huelgas, fol. 115v (3/2);Faenza: Biblioteca Comunale 117 (Faenza Codex), fol. 97-97v. Facsimiles1. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa), pp. 103-104 (Fa97-97v).2. An Early Fifteenth-Century Italian Source of Keyboard Music: The Codex Faenza, Biblioteca Comunale, 117, facsimile edition by Armen Carapetyan, [n.p.]: American Institute of Musicology, 1961. Musicological Studies and Documents 10, pp. 111-112 (Fa97-97v). Editions1. Transcriptions from the Faenza Codex, edited by R. Huestis, Westwood, 1971, p. 145.2. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 132. 3. KUGLER, Michael. Die Tastenmusik im Codex Faenza, Tutzing: Hans Schneider, 1972. Münchner Veröffentlichungen zur Musikgeschichte 21, p. 167. 4. Italian Sacred Music, edited by Kurt von Fischer and F. A. Gallo, Monaco: Editions de L'Oiseau-Lyre, 1976. Polyphonic Music of the Fourteenth Century XII, p. 185. LiteratureLINDLEY, Mark. 'Pythagorean intonation and the rise of the triad', RMA Research Chronicle, 16 (1980), p. 38, example 18. |
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