|
|
|
Medieval Music Database
Aosta, Biblioteca del Seminario Maggiore 9-E-19 (D 16)
The first part of this manuscript is a 13th-century Gradual. The second part (ff.78-99) contains liturgical pieces of the 14th-century in square notation. 4 of the 16 Benedicamus dominos are polyphonic and are identical in I-AO17 above.
INVENTORY
Répertoire international des sources musicales. BIV 3, 4. Handschriften mit mehrstimmiger Musik des 14., 15. und 16. Jahrhunderts, 2 vols, edited by Kurt von Fischer and Max Lütolf, G. Henle Verlag: Munich-Duisburg, 1972, pp. 737-738.
CONTENTS
- fol. 78-78v, Ad cantus leticie nos invitat hodie (Benedicamus Domino))
- fol. 79-79v, Laudemus cum ermonia summi patris (Benedicamus Domino))
- fol. 81, Benedicamus Domino (Benedicamus Domino))
- fol. 81v, Voce digna, corde pio (Benedicamus Domino))
LITERATURE
- FISCHER, Kurt von. 'Neue Quellen zur Musik des 13., 14. und 15. Jahrhunderts', Acta Musicologica, XXXVI (1964): 79-97 (pp. 87-90).
- FISCHER, Kurt von. 'Neue Quellen zum einstimmigen Ordinariumszyklus des 14. und 15. Jahrhunderts aus Italien', Liber Musicorum Charles van den Borren, Antwerp: Lloyd Anversois, 1964, pp. 60-68 (p. 65ff).
- HARRISON, Frank Ll. 'Benedicamus, Conductus, Carol', Acta Musicologica, XXXVII (1965): 35-48.
CONCORDANCES1.Aosta, Biblioteca del Seminario Maggiore 9-E-17 (64-64v, Ad cantus leticie nos invitat hodie; 65-65v, Laudemus cum ermonia summi patris; 68, Benedicamus Domino; 68v-69, Voce digna, corde pio).
2.Cividale del Friuli, Museo Archeologico Nazionale LVI (242v-243, Ad cantus leticie nos invitat hodie)
|
|
|
|