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Medieval Music Database

Guillaume de Machaut

LIFE

  1. PUYMAIGRE, Comte de. 'Une campagne de Jean de Luxembourg, roi de Bohême', Revue des questions historiques, XLII (1887): 168-80 .
  2. PUYMAIGRE, Comte de. 'Jean l'Aveugle en France', Revue des questions historiques, LII (1892): 391-452.
  3. LEVARIE, Siegmund. Guillaume de Machaut, New York: Sheed and Ward, 1954 .
  4. Polyphonic Music of the Fourteenth Century: Commentary to Volumes II and III, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956 (typescript).
  5. Letters of composers Through Six Centuries, edited by Piero Weiss, Chilton Book Company, 1967 .
  6. The Norton Scores: An Anthology for Listening. Vol. I. Gregorian Chant to Beethoven, edited by Roger Kamien, New York: W. W. Norton, 1972.
  7. REANEY, Gilbert. 'Machaut, Guillaume de', The New Grove, XI (1980): 428- 436 .

EDITIONS

  1. KALKBRENNER, Christian. Kurzer Abriss der Geschichte der Tonkunst, 1792 .
  2. TOULMON, Bottée de. 'De la chanson musicale en France au moyen-âge', Annuaire historique pour l'anée 1837, La société de l'histoire de France: 1837.
  3. KIESEWETTER, R.G. Schicksale und Beschaffenheit des weltlichen Gesanges vom frühen Mittelalter bis zu der Erfindung des dramatischen Styles und den Anfängen der Oper, Leipzig: 1841 .
  4. Les plus anciens monuments de la musique française, edited by Pierre Aubry, Paris: 1905.
  5. Hausmusik aus alter Zeit, edited by Hugo Riemann, Leipzig: Breitkopf & Härtel, 1906.
  6. Oeuvres de Guillaume de Machaut. Volume II: Remede de Fortune, Le dit douLyon, Le dit de l'Alerion, texts edited by E. Hoepffner, music edited by Friedrich Ludwig, Paris: Firmin-Didot, 1911.
  7. Rondeaux, Virelais und Balladen aus dem Ende des XII.,dem XIII. unddem ersten Drittel des XIV. Jahrhunderts, edited by Friedrich Gennrich, 3 vols, Dresden: 1921, Göttingen: 1927; Langen: 1963.
  8. Musikgeschichte in Beispielen, edited by Hugo Riemann, Leipzig: E. A. Seeman, 1925 .
  9. Guillaume de Machaut: Musikalische Werke. Erster Band: Balladen, Rondeaux und Virelais, edited by Friedrich Ludwig, Wiesbaden: Breitkopf & Härtel, 1926.
  10. Geschichte der Musik in Beispielen, edited by Arnold Schering, Leipzig: Breitkopf & Härtel, 1931.
  11. Die Musikstücke des Prager Codex XI E 9, edited by Friedrich Kammerer, Augsburg: 1931 .
  12. BESSELER, Heinrich. Die Musik des Mittelalters und der Renaissance, Potsdam: Akademische Verlagsgesellschaft Athenaion, 1931 .
  13. PRUNIÉRES, H. Nouvelle histoire de la musique, 1934 .
  14. EINSTEIN, Alfred. A Short History of Music, 2nd American edition, revised and enlarged, New York: Knopf, 1938.
  15. REESE, Gustave. Music in the Middle Ages, New York: W. W. Norton, London: J.M. Dent & Sons, 1940 .
  16. Guillaume de Machaut (1300-1377): Messe Notre-Dame dite du sacre de Charles V (1364) à 4 voix égales, edited by Jacques Chailley, Paris: 1948.
  17. Guglielmi de Mascaudio. La Messe de Nostre Dame, edited by Guillaume de Van, Rome: American Institute of Musicology, 1949. Corpus Mensurabilis Musicae 2 .
  18. Masterpieces of Music Before 1750: AnAnthology of Musical Examples from Gregorian Chant to J. S. Bach, edited by Carl Parrish and J. F. Ohl, New York: W. W. Norton, 1951.
  19. Guillaume de Machault: La Messe de Notre Dame, edited by H. Hübsch, Heidelberg: 1953 .
  20. The Works of Guillaume de Machaut, First Part, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956. Polyphonic Music of the Fourteenth Century II.
  21. Anthology of Music, edited by K. G. Fellerer, 47 vols, Cologne: Arno Volk Verlag, 1959ff. [German edition as Das Musikwerk].
  22. GÜNTHER, Ursula. 'Die Mensuralnotation der Ars Nova in Theorie und Praxis', Archiv für Musikwissenschaft, XIX-XX (1962): 9-28.
  23. Florilegium Musicum: History of Music in 180 Examples from Antiquity to the 18th Century, edited by Erwin Leuchter, Buenos Aires: Ricordi Americana, 1964.
  24. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966.
  25. Study Scores of Musical Styles, edited by Edward R. Lerner, New York: McGraw-Hill, 1968 .
  26. One Hundred Ballades, Rondeaux and Virelais from the Late Middle Ages, edited by Nigel Wilkins, Cambridge, England: 1969 .
  27. La Louange des Dames, edited by Nigel Wilkins, Edinburgh: Scottish Academic Press, 1972, New York: Barnes and Noble, 1973 .
  28. Schirmer Scores: A Repertory of Western Music, edited by Joscelyn Godwin, New York: Schirmer Books, 1975 .
  29. Guillaume de Machaut (1300-1377): Oeuvres complètes, edited by Sylvette Leguy, Paris: Le droict chemin de musique, 1977, Vol. I.
  30. Medieval Music, edited by W. Thomas Marrocco and Nicholas Sandon, London: Oxford University Press, 1977 .
  31. CALDWELL, John. Medieval Music, Bloomington: Indiana University Press, London: Hutchinson, 1978 .
  32. Norton Anthology of Western Music. Vol. I. Medieval, Renaissance and Baroque, edited by Claude V. Palisca, Yale University: W. W. Norton, 1980.
  33. PHILLIPS, Elizabeth V. and John-Paul Christopher JACKSON. Performing Medieval and Renaissance Music: an Introductory Guide, Schirmer Books:NewYork, 1986 .
  34. FULLER, Sarah. 'Line, "contrapunctus" and structure in a Machaut song', Music Analysis, VI/1-2 (1987): 37-58.
  35. Guillaume de Machaut: 2 Rondeaux for 4 voices or instruments, edited by Bernard Thomas, London: London Pro Musica Edition, 1989. Early Music Library EML 156 .

STUDIES OF WORKS

  1. AUBRY, Pierre and Amédée GASTOUÉ. Recherches sur les "tenors" français dans les motets du XIIIe siècle, Paris: Honoré Champion, 1907 .
  2. KITTREDGE, G. L. 'Guillaume de Machaut and The Book of the Duchess', Publications of the Modern Language Association, XXX (1915): 1-24 .
  3. LOWES, John L. 'Chaucer and the Ovide moralisé', Publications of the Modern Language Association, XXXIII (1918): 302-25.
  4. LUDWIG, Friedrich. 'Die mehrstimmige Messe des 14. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 417-435 (pp. 420-421)(La Messe de Nostre Dame) .
  5. Guillaume de Machaut: Musikalische Werke. Zweiter Band: Einleitung zu I. Balladen, Rondeaux und Virelais. II. Motetten. III. Messe und Lais, edited by Friedrich Ludwig, Leipzig: Breitkopf & Härtel, 1928, passim(La Messe de Nostre Dame) .
  6. HAAS, Robert. Aufführungspraxis der Musik, Potsdam: Akademische Verlagsgesellschaft Athenaion, 1931 ( Christe qui lux es; Veni creator spiritus; Tribulatio proxima).
  7. BRADDY, Haldeen. 'The two Petros in the "Monkes Tale"', Publications of the Modern Language Association, L (1935): 69-80.
  8. ESTRICH, Robert M. 'Chaucer's Prologue to the "Legend of Good Women" and Machaut's "Le Jugement dou Roy de Navarre"', Studies in Philology, XXXVI (1939): 20-39 .
  9. STILLWELL, Gardiner. 'Analogues to Chaucer's "Manciple's Tale" in the "Ovide Moralisé" and Machaut's "Voir-Dit"', Philological Quarterly, XIX (1940): 133-38.
  10. LOOMIS, Roger Sherman. 'Chaucer's eight-years' sickness', Modern Language Notes, LIX (1944): 178-80 .
  11. CAPE, Safford. 'The Machaut mass and its performance', The Score, II (1950): 20; XXV (1959): 38( La Messe de Nostre Dame) .
  12. BESSELER, Heinrich. 'Ars Nova', Die Musik in Geschichte und Gegenwart, I (1951): 702-729 ( De toutes flours n'avoit et de tous fruis).
  13. THIBAULT, Geneviève. 'Chanson', Die Musik in Geschichte und Gegenwart, II (1952): 1034-1046 ( Quant Theseus, Hercules et Jason; Ne quier veoir la biaute d'Absalon).
  14. WILLIAMS, Sarah J. The Music of Guillaume de Machaut, Ph.D dissertation, Yale University: 1952 .
  15. REANEY, Gilbert. 'Fourteenth-century harmony and the ballades, rondeaux and virelais of Guillaume de Machaut', Musica Disciplina, VII (1953): 129-146.
  16. PIRROTTA, Nino. 'Florenz C. Codex Palatino Panciatichiano 26 (FP)', Die Musik in Geschichte und Gegenwart, IV (1955): 401-405.
  17. REANEY, Gilbert. 'The "lais" of Guillaume de Machaut and their background', Proceedings of the Royal Musical Association, LXXXII (1955-1956): 15-32.
  18. REANEY, Gilbert. 'Voices and instruments in the music of Guillaume de Machaut', Revue belge de musicologie, X (1956): 3-17, 93-104, pp. 99-100, 103( Dame, se vous m'estes lonteinne).
  19. WYKES, Robert A. Tonal Movement in the Polyphonic Ballades, Rondeaux, and Virelais of Guillaume de Machaut, Ph.D. dissertation, University of Illinois: 1956.
  20. HOPPIN, Richard H. 'An unrecognised polyphonic lai of Machaut', Musica Disciplina, XII (1958): 93-104.
  21. REANEY, Gilbert. 'Machaut's influence on late mediaeval music. 1: France and Burgundy. 2: The non-Gallic Countries', The Monthly Music Record, LXXXVIII (1958): 50-58, 96-101.
  22. CARAPETYAN, Armen. 'The Codex Faenza, Biblioteca Comunale 117 (Fa): A Facsimile Edition', Musica Disciplina, XIII (1959): 79-107, XIV (1960): 65-104, XV (1961): 63-104.
  23. REANEY, Gilbert. '"Ars Nova" in France', [chapter 1 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, 28( Bone pastor Guillerme; Bone pastor qui pastores; Bone pastor).
  24. GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 1-21 (p. 7)(Quant Theseus, Hercules et Jason; Ne quier veoir la biaute d'Absalon).
  25. FISCHER, Kurt von. 'On the technique, origin and evolution of Italian Trecento music', Musical Quarterly, XLVII (1961): 41-57, p. 44( Phyton, le merveilleus serpent).
  26. HARMAN, Alec. Man and His Music: The Story of Musical Experience in the West. Vol I: Mediaeval and Early Renaissance Music, London: Barrie and Rockliff, 1962 ,pp. 148-153.
  27. EGGEBRECHT, Hans H. 'Machaut's Motette Nr. 9', Archiv für Musikwissenschaft, XIX-XX (1962): 281-293; XXV (1968): 173ff (p. 190/n21)(Doulz viaire gracieus).
  28. MARTINEZ, Marie L. Die Musik des frühen Trecento, Tutzing: Hans Schneider, 1963. Münchener Veröffentlichungen zur Musikgeschichte 9 ( On ne porroit penser ne souhaidier).
  29. REANEY, Gilbert. 'Modes in the 14th century, in particular in the music of Guillaume de Machaut', Organicae voces: Festschrift Joseph Smits van Waesberghe.60. Geburtstages, Amsterdam: Institut voor Middeleeuwse Muziekwetenschap, 1963, pp. 137-144 .
  30. MORGAN, Glen E. Stylistic Features of the Music of Guillaume de Machaut, Ph.D. dissertation, Indiana University: 1963.
  31. HOPPIN, Richard H. 'Tonal organization in music before the Renaissance', Paul A. Pisk: Studies in his Honor, edited by John Glowacki, Austin: University of Texas, 1966, pp. 25-37.
  32. REANEY, Gilbert. 'Towards a chronology of Machaut's musical works', Musica Disciplina, XXI (1967): 87-96.
  33. WIMSATT, James I. 'The Apotheosis of Blanche in The Book of the Duchess', Journal of English and Germanic Philology, LXVI (1967): 26-44.
  34. WILLIAMS, Sarah J. 'Vocalscoring in the chansons of Machaut', Journal of the American Musicological Society, XXI (1968): 251ff.
  35. WESTRUP, Jack Allan. 'The significance of melody in medieval and Renaissance music', Renaissance-Muziek 1400-1600. Donum Natalicum René Bernard Lenaerts, edited by J. Robijns, Leuven: Katholieke Universiteit, 1969, pp. 317-322 .
  36. HASSELMAN, Margaret and Thomas WALKER. 'More hidden polyphony in a Machaut manuscript', Musica Disciplina, XXIV (1970): 7-16 ,passim( En demantant et lamentant).
  37. DÖMLING, Wolfgang. Die mehrstimmigen Balladen, Rondeaux und Virelais von Guillaume de Machaut: Untersuchungen zum musikalischen Satz, Tutzing: Schneider, 1970. Münchener Veröffentlichungen zur Musikgeschichte 16 .
  38. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573 ( Quant en moy vint; Amour et biauté parfaite; Amara valde).
  39. SALOP, Arnold. 'The secular polyphony of Guillaume de Machaut', [chapter 2 of his] Studies on the History of Musical Style, Detroit: Wayne State University Press, 1971, pp. 52-53, 58-59( S'Amours ne fait par sa grace adoucir).
  40. DÖMLING, Wolfgang. 'Aspekte der Sprachvertonung in den Balladen Guillaume de Machauts', Die Musikforschung, XXV/3 (1972): 301-307 ,p. 302( Sans cuer, dolens de vous departiray).
  41. SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974): 192-207 ,passim( S'Amours ne fait par sa grace adoucir).
  42. ARLT, Wulf. 'Aspekte der Chronologie und des Stilwandels im französischen Lied des 14. Jahrhunderts', Forum Musicologicum (Aktuelle Fragen der musikbezogenen Mittelalterforschung), Vol. III, Basel: Amadeus Verlag, 1975, pp. 193-280, pp. 274-276( Joie plaisence).
  43. Guillaume de Machaut (1300-1377): Oeuvres complètes, edited by Sylvette Leguy, Paris: Le droict chemin de musique, 1977, Vol. 2.
  44. BINKLEY, Thomas. 'Zur Aufführungspraxis der einstimmigen Musik des Mittelalters-ein Werkstattbericht', Basler Jahrbuch für Historische Musikpraxis, Amadeus Verlag, 1977, pp. 19-76, 28-29( Tels rit au main).
  45. FALLOWS, David. 'Guillaume de Machaut and the lai, a new source', Early Music, V/4 (1977): 477-483 ,pp. 478, 480-483( Pour ce qu'on puist).
  46. GODWIN, Joscelyn. '"Mains divers acors" - some instrument collections of the Ars Nova period', Early Music, V/2 (1977): 148-159, passim(De tout flors.).
  47. KEITEL, Elizabeth A. 'The musical manuscripts of Guillaume de Machaut', Early Music, V/4 (1977): 469-472, p. 471( Douce dame jolie).
  48. STEVENS, Denis and David FALLOWS. 'The Machaut Mass [letter to the editor]', The Musical Times, CXVIII/August (1977): 641-642 ,passim( La Messe de Nostre Dame) .
  49. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59( Sanz cuer m'en vois, dolens et esploures; Amis, dolens, maz et desconfortes; Dame, par vous me sens reconfortes).
  50. PARROTT, Andrew. 'Performing Machaut's Mass on record', Early Music, V/4, (1977): 492-495 ,passim( La Messe de Nostre Dame) .
  51. COVINGTON, K. 'A theory of dissonance in the fourteenth-century', Indiana Theory Review, II/1 (1978): 29-40, passim(Ma chiere dame, a vous mon cuer envoy) .
  52. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978 ,pp. 479-480( Pour ce que tous me chans fais).
  53. REANEY, Gilbert. 'Transposition and "key" signatures in late medieval music', Musica Disciplina, XXXIV (1979): 27-41, p. 25( Tous corps qui de bien amer; De souspirant cuer dolent; Suspiro).
  54. BROWNLEE, Kevin S. Guillaume de Machaut's Concept of Poetic Identity: The Example of the "Dits amoureux", Ph.D. dissertation, Princeton University: 1979 .
  55. ALLAIRE, Gaston G. 'Les enigmes de "antefana" et du double hoquet de Machault: une tentative de solution', Revue de Musicologie, LXVI/1 (1980): 43-56, pp. 43-36( David Hoquetus).
  56. ARLT, Wulf. 'Musik, Schrift und Interpretation. Zwei Studien zum Umgang mit Aufzeichnungen ein- und mehrstimmiger Musik aus dem 14. und15. Jahrhundert', Basler Jahrbuch für Historische Musikpraxis, IV (1980): 91-132, p. 126( Quant ma dame les maus d'amer m'aprent) .
  57. SANDERS, Ernest H. 'Motet. I. Mediaeval. 3. Ars Nova', The New Grove, XII (1980): 625-628, 646( Fons totius superbie; O livoris feritas; Fera pessima).
  58. WILKINS, Nigel. 'Rondeau (i)', The New Grove, XVI (1980): 166-170( Ma fin est mon commencement) .
  59. HIRSHBERG, Jehoash. 'Hexachordal and modal structure in Machaut's polyphonic chansons', Studies in Musicology in Honor of Otto E. Albrecht, 1980 ,passim.
  60. KEITEL, Elizabeth A. 'The so-called cyclic mass of Guillaume de Machaut: new evidence for an old debate', The Musical Quarterly, LXVIII/3 (1982): 307-23, passim(La Messe de Nostre Dame) .
  61. LEGUY, Sylvette. 'Les procédés de composition dans l'oeuvre de Machaut (à l'exclusion de la Messe)', Guillaume de Machaut, poète etcompositeur. Colloque - Table Ronde, 1978, pp. 307-320, passim(S'Amours ne fait par sa grace adoucir).
  62. KEITEL, Elisabeth. 'La tradition manuscrite de Guillaume de Machaut', Guillaume de Machaut, poète etcompositeur. Colloque - Table Ronde, 1978, pp. 75-94( Amours me fait desirer).
  63. VOISÉ, Waldemar. 'Guillaume de Machaut en Pologne', Guillaume de Machaut, poète etcompositeur. Colloque - Table Ronde, 1978, pp. 49-54 ( Douce dame jolie).
  64. POIRION, Daniel. 'Le monde imaginaire de Guillaume de Machaut', Guillaume de Machaut, poète etcompositeur. Colloque - Table Ronde, 1978, pp. 223-234 ,p. 224( Je puis trop bien ma dame comparer).
  65. CHAILLEY, Jacques. 'La composition dans la Messe de Guillaume de Machaut', Guillaume de Machaut, poète etcompositeur. Colloque - Table Ronde, 1978, pp. 282-288 ,passim( La Messe de Nostre Dame) .
  66. REANEY, Gilbert. 'La tonalité des ballades etdes rondeaux de Guillaume de Machaut', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, pp. 295-300, p. 300( Quant je ne voy ma dame n'oy).
  67. GÜNTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 253-270, p. 263( Lay de la fonteinne: Je ne cesse de prier).
  68. HALLMARK, Anne. 'Some evidence for French influence in northern Italy, c.1400', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, pp. 193-226, passim(Ma fin est mon commencement) .
  69. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154( Quant en moy vint; Amour et biauté parfaite; Amara valde).
  70. WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Ma fin est mon commencement) .
  71. BENT, Margaret. 'Text setting in sacred music of the early 15th century: evidence and implications', Musik und Text in der Mehrstimmigkeit des 14. und15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 291-326 (pp. 315, 316-317)(Bone pastor Guillerme; Bone pastor qui pastores; Bone pastor).
  72. STROHM, Reinhard. 'The Ars nova fragments of Gent', Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, XXXIV (1984): 109-135, p. 116( Se vous n'estes pour mon guerredon).
  73. FULLER, Sarah. 'On sonority in fourteenth-century polyphony: some preliminary reflections', Journal of Music Theory, XXX/1 (1986): 35-70, pp. 57-63( Amours qui ha le pouoir; Faus Samblant m'a deceu; Vidi Dominum) .
  74. FULLER, Sarah. 'Line, "contrapunctus" and structure in a Machaut song', Music Analysis, VI/1-2 (1987): 37-58.
  75. Five Ballades for the House of Foix, edited by Peter M. Lefferts, with text edition and commentary by Sylvia Huot, Newton Abbott: Antico Editions, 1989( Phyton, le merveilleus serpent).
  76. LEECH-WILKINSON, Daniel. Machaut's Mass: An Introduction, Oxford: Oxford University Press, 1989 .
  77. BOOGAART, Jacques. ‘Encompassing past and present: quotations and their function in Machaut’s motets’, Early Music History 20 (2001): 1-86.

OTHER LITERATURE

  1. CAYLUS, M. le Comte de. 'Premier mémoiresur Guillaume de Machaut, poëte et musicien dans le XIVe siècle', Mémoires de littérature, tirés des registres de l'Académie Royale des inscriptions et belles-lettres, 1753: XX, 399-414.
  2. LEBEUF, M. l'Abbé. 'Notice sommaire de deux volumes de poësies françoises et latines', Mémoires de littérature, tirés des registres de l'Académie Royale des inscriptions etbelles-lettres, XX (1753): 377-98.
  3. KALKBRENNER, Christian. Kurzer Abriss der Geschichte der Tonkunst, 1792 .
  4. ROQUEFORT-FLAMÉRICOURT, B. de. De l'état de la poésie françoise dans les XIIe et XIIIe siècles, Paris: 1815 .
  5. KIESEWETTER, R. G. Allgemeine Musikalische Zeitung, XL (1838): .
  6. Les oeuvres de Guillaume de Machault, edited by Prosper Tarbé, Reims-Paris: 1849 .
  7. Poésies d'Agnès de Navarre-Champagne, Dame de Foix, edited by Prosper Tarbé, Paris-Reims: 1856 .
  8. AMBROS, A. W. Geschichte der Musik, 2 vols, 1864 .
  9. La Prise d'Alexandrie ou Chronique du Roi Pierre Ier de Lusignan par Guillaume de Machaut, edited by L. de Mas Latrie, Geneva: 1877.
  10. TRAVERS, Emile. Les instruments de musique au XIVe siècle d'après Guillaume de Machaut, Paris: 1882 .
  11. PARIS, Gaston. 'Un poème inédit de Martin le Franc', Romania, XVI (1887): 383-437.
  12. PIAGET, Arthur. 'Michaut pour Machaut', Romania, XXI (1892): 616-17.
  13. PETIT DE JULLEVILLE, L. 'La poésie lyrique au XIVe siècle. Guillaume de Machaut', Revue des cours etconférences, I (1892-93): 194-200, 289-96, 330-37, 429-34.
  14. PETIT DE JULLEVILLE, Louis. Histoire de la langue etde la littérature française des origines à 1900, Paris: Armand Colon & Cie, 1896.
  15. HANF, Georg. 'Über Guillaume de Machauts "Voir Dit"', Zeitschrift für romanische Philologie, XXII (1898): 145-96.
  16. Grundriss der romanischen Philologie, edited by Gustav Gröber, Strasburg: 1902: vol 2, part 1.
  17. Quinze poésies inédites de Guillaume de Machault, poète champenois du XIVe siècle, edited by Bernard Monod, Versailles: 1903 .
  18. WAGNER, P. Kyriale, sive Ordinarium Missae cum cantu gregoriano, Graz: 1904 .
  19. AUBRY, Pierre and Amédée GASTOUÉ. Recherches sur les "tenors" français dans les motets du XIIIe siècle, Paris: Honoré Champion, 1907 .
  20. Guillaume de Machaut: poésies lyriques, 2 vols, edited by V. Chichmaref, Paris: 1909.
  21. Oeuvres de Guillaume de Machaut. Volume II: Remede de Fortune, Le dit douLyon, Le dit de l'Alerion, texts edited by E. Hoepffner, music edited by Friedrich Ludwig, Paris: Firmin-Didot, 1911.
  22. THOMAS, Antoine. 'Guillaume de Machaut et l'Ovide moralisé', Romania, XLI (1912): 382-400.
  23. BOER, C. de. 'Guillaume de Machaut et l'Ovide moralisé', Romania, XLIII (1914): 335-52.
  24. KITTREDGE, G. L. 'Chaucer's "Troilus" and Guillaume de Machaut', Modern Language Notes, XXX (1915): 69 .
  25. COOK, A.S. 'The last months of Chaucer's earliest patron', Transactions of the Connecticut Academy of Arts and Sciences, 21 (1916): no pages given.
  26. LOWES, John L. 'Chaucer and the Ovide moralisé', Publications of the Modern Language Association, XXXIII (1918): 302-25.
  27. KNOWLTON, E. C. 'Nature in Old French', Modern Philology, XX (1922-1923): 309-29 .
  28. PATCH, Howard Rollin. 'Fortuna in Old French Literature', Smith College Studies in Modern Languages, IV/4 (1923):.
  29. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. undbeginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.
  30. BORREN, Charles van den. Guillaume Dufay, Brussels: M. Hayez, 1925 .
  31. GENNRICH, Friedrich. 'Zur Musikinstrumentenkunde der Machaut-Zeit', Zeitschrift für Musikwissenschaft, IX (1926-1927): 513-517.
  32. DROZ, Eugénie. 'Un manuscrit de Guillaume de Machault', Revue de musicologie, VIII (1927): 44ff.
  33. LANGHANS, Victor. 'Chaucer's Book of the Leoun', Anglia, LII (1928): 113-22.
  34. FICKER, Rudolf von. 'Polyphonic music of the Gothic period', Musical Quarterly, XV (1929): 483-505.
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