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Medieval Music Database
Solage
LIFE
- GÜNTHER, Ursula. 'Die Musiker des Herzogs von Berry', Musica Disciplina, XVII (1963): 79-95.
- GÜNTHER, Ursula. 'Solage', The New Grove, XVII (1980): 448 .
EDITIONS
- French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
- French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1971. Corpus Mensurabilis Musicae 53/II.
- Norton Anthology of Western Music. Vol. I. Medieval, Renaissance and Baroque, edited by Claude V. Palisca, Yale University: W. W. Norton, 1980.
- French Secular Music. Manuscript Chantilly, Musée Condé 564, Second Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XIX .
- LEFFERTS, Peter M. '"Subtilitas" in the tonal language of "Fumeux fume", Early Music, XVI/2 (1988): 176-183.
STUDIES OF WORKS
- GÜNTHER, Ursula. 'Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 277-297, pp. 290-291( S'aincy estoit que ne feust la noblesce).
- GÜNTHER, Ursula. 'Datierbare Balladen des späten 14. Jahrhunderts. Part 1', Musica Disciplina, XV (1961): 39-61 (pp. 58-61)( S'aincy estoit que ne feust la noblesce).
- HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, p. 214( Bien dire et sagement parler).
- SWARTZ, Anne. 'A new chronology of the ballades of Machaut', Acta Musicologica, XLVI (1974): 192-207 (pp. 197, 203, 204)( En l'amoureux vergier vis une flour).
- WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I , p. 33( Fumeux fume par fumee) .
- WILKINS, Nigel. 'The late mediaeval French lyric: with music and without', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 155-174( Fumeux fume par fumee) .
OTHER LITERATURE
- French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950 .
- GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, pp. 225, 245-249.
- GÜNTHER, Ursula. 'Die Anwendung der Diminution in der Handschrift Chantilly 1047', Archiv für Musikwissenschaft, XVII (1960): 1-21 (pp. 12-13, 15).
- GÜNTHER, Ursula. 'Datierbare Balladen des spaten 14. Jahrhunderts. Part 2', Musica Disciplina, XVI (1962): 151-174.
- MARGGRAF, Wolfgang. 'Solage', Die Musik in Geschichte und Gegenwart, XII (1965): 831 .
- HASSELMAN, Margaret P. The French Chanson of the Mid-Fourteenth Century, 2 vols, Ph.D. dissertation, University of California (Berkeley): 1970, p. 214.
- HIRSHBERG, Jehoash. The Music of the Late Fourteenth Century: A Study in Musical Style, Ph.D. dissertation, University of Pennsylvania: 1971.
- NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59.
- GÜNTHER, Ursula. 'Solage', The New Grove, XVII (1980): 448 .
- French Secular Music. Manuscript Chantilly, Musée Condé 564, First Part, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1981. Polyphonic Music of the Fourteenth Century XVIII.
- GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 229-268.
- GÜNTHER, Ursula. 'Unusual phenomena in the transmission of late fourteenth-century polyphonic music', Musica Disciplina, XXXVIII (1984): 87-118, p. 103.
- LEFFERTS, Peter M. '"Subtilitas" in the tonal language of "Fumeux fume", Early Music, XVI/2 (1988): 176-183.
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