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Tribum que non abhorruit ; Quoniam secta latronum; Merito hec patimurThree-voice motet by Philippe de Vitry SourcesRostocker Liederbuch, fol. 43 (2/2).Munich: Bayerische Staatsbibliothek, Handschriften-Inkunabelabteilung, Latinus monacensis 5362, Kasten D IV ad [31] (Triplum fragment); Paris: Biblioth�que Nationale, fonds fran�ais 146, fol. 41v-42 (3/2); Strasbourg: Biblioth�que Municipale (olim Biblioth�que de la Ville) 222 C. 22, fol. 71-71v (3/2). Facsimiles1. Bruxelles, Biblioth�que du Conservatoire Royal de Musique. (A copy by Edmond de Coussemaker of 48 compositions from F-Sm 222), n52.2. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & H�rtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 144 (Pn146). 3. Le Roman de Fauvel, manuscrit in�dit de la Biblioth�que Nationale (fran�ais 146) reproduit par un proc�d� photographique inalt�rable, facsimile edition by Pierre Aubry, Paris: Librairie Paul Geuthner, 1907, (Fauv). 4. Die Musik in Geschichte und Gegenwart, edited by Friedrich Blume, 16 vols., Kassel and Basel: B�renreiter, 1949 ff, p. 1885 (Pn146). 5. BESSELER, Heinrich and Peter G�LKE. Schriftbild der mehrstimmigen Musik, Leipzig: Deutscher Verlag f�r Musik, 1973. Musikgeschichte in Bildern, vol. 3, part 5, p. 99. 6. HOPPIN, Richard H. Medieval Music, New York: W. W. Norton, 1978, pp. 358-359 (Pn146). 7. ROESNER, Edward H. Le Roman de Fauvel in the edition of Mesire Chaillou de Pesstain, New York: Broude Brothers, 1990. Editions1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & H�rtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 191 (Pn146).2. The Roman de Fauvel; The Works of Philippe de Vitry; French Cycles of the Ordinarium Missae, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956. Polyphonic Music of the Fourteenth Century I, p. 54. 3. FULLER, Sarah. The European Musical Heritage 800-1750, New York: Alfred A. Knopf, 1987. Text EditionsBLACHLY, Alexander. The Motets of Philippe de Vitry, Columbia University (M.A. thesis), p. 79.Literature1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & H�rtel, 1904. [reprinted Hildesheim: G. Olms, 1965].2. LUDWIG, Friedrich. 'Die Quellen der Motetten �ltesten Stils', Archiv f�r Musikwissenschaft, V (1923): 185-222; 273-315. 3. BORREN, Charles van den. Le manuscrit musical 222 C. 22 de la biblioth�que de Strasbourg (XVe si�cle) brul� en 1870, et reconstitu� d'apr�s une copie d'Edmond de Coussemaker, Antwerp: E. Secelle, 1924, pp. 124-126, 198. 4. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. II. Die Motette von Franko von K�ln bis Philippe von Vitry', Archiv f�r Musikwissenschaft, VIII (1926): 137-258. 5. RANKE, F. & J. M. M�LLER-BLATTAU. Das Rostocker Liederbuch, Halle: 1927. Schriften der K�nigsberger gelehrten Gesellschaft, geisteswissenschaftliche Klasse, Year 4, Book 5. 6. STRECKER, K. 'Walter von Chatillon und seine Schule', Zeitschrift des deutschen Altertums, LXIV (1927). 7. Guillaume de Machaut: Musikalische Werke. Zweiter Band: Einleitung zu I. Balladen, Rondeaux und Virelais. II. Motetten. III. Messe und Lais, edited by Friedrich Ludwig, Leipzig: Breitkopf & H�rtel, 1928. 8. WOLF, Johannes. Kirchenmusikalisches Jahrbuch, XIV (1929): 9. SCHRADE, Leo. Die handschriftliche �berlieferung der �ltesten Instrumentalmusik, Lahr (Baden): M. Schauenburg, 1931. 10. DAHNK, Emilie. L'h�r�sie de Fauvel, Leipzig: C. & E. Vogel, 1935. Leipziger romanistische Studien II, Literatur-wissenschaftliche Reihe, Heft 4. 11. BECKER, Philip August. 'Fauvel und Fauvelliana', Berichte �ber die Verhandlungen der s�chsischen Akademie der Wissenschaften zu Leipzig (Philologish-Historische Klasse), LXXXVIII/2 (1936): 1-45. 12. ZWICK, Gabriel. 'Deux motets in�dits de Philippe de Vitry et de Guillaume de Machaut', Revue de musicologie, XXVII (1948), p. 34. 13. HOPPIN, Richard H. 'A musical rotulus of the fourteenth century', Revue belge de musicologie, IX (1955): 131-142. 14. SCHRADE, Leo. 'Philippe de Vitry: some new discoveries', Musical Quarterly, XLII (1956): 330-354. 15. REICHERT, Georg. 'Das Verh�ltnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts', Archiv f�r Musikwissenschaft, XIII (1956), p. 213. 16. The Motets of the Manuscripts Chantilly, Mus�e Cond�, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula G�nther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. xxx. 17. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573. 18. THIELE, Siegfried. 'Zeitstrukturen in den Motetten des Philippe de Vitry und ihre Bedeutung f�r zeitgenossisches Komponieren', Neue Zeitschrift f�r Musik, CXXXV/7 (1974), pp. 426-428. 19. SANDERS, Ernest H. 'The early motets of Philippe de Vitry', Journal of the American Musicological Society, XXVIII (1975): 24-45. 20. BESSELER, Heinrich and Peter G�LKE. Schriftbild der mehrstimmigen Musik, Leipzig: Deutscher Verlag f�r Musik, 1973. Musikgeschichte in Bildern, vol. 3, part 5, pp. 54-57. 21. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 22. FISCHER, Kurt von. 'Philippe de Vitry in Italy: an Homage of Francesco Landini to Philippe', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 226. 23. GAGNEPAIN, Bernard. 'La musique en France a l'arriv�e de Guillaume de Machaut', Guillaume de Machaut, po�te et compositeur. Colloque - Table Ronde, 1978, p. 279. 24. GOMEZ, Maria del Carmen. 'Une version a cinq voix du motet "Apollinis eclipsatur/Zodiacum signis" dans le manuscript E-BCEN 853', Musica Disciplina, XXXIX (1985): 5-44. 25. LEFFERTS, Peter M. The Motet in England in the Fourteenth Century, Ann Arbor: UMI Research Press, 1986, pp. 264-265. Recordings1. Missa Tournai um 1330. Motetten um 1320, Capella Antiqua M�nchen, directed by Konrad Ruhland (1967): Telefunken AW6 41231 (SAWT 9517) (GER).2. Le Roman de Fauvel, 1310-1316, Clemencic Consort, directed by Rene Clemencic (1975): Harmonia Mundi HMF 994 (FRA). 3. Philippe de Vitry 1291-1361, Benjamin Bagby and Barbara Thornton, Sequentia (1991): RD 77 095. 4. Philippe de Vitry and the Ars Nova, Robert Hare-Jones (CT), Charles Daniels (T), Angus Smith (T), Donald Greig (Bar), Orlando Consort (1991): CD-SAR 49. TextTRIPLUMTribum que non abhorruit indecenter ascendere furibunda non metuit Fortuna cito vertere dum duci prefate tribus in sempiternum speculum parare palam omnibus non pepercit patibulum. populus ergo ventirus si trans metam ascenderit quidem si forsitan casurus cum tanta tribus ruerit sciat eciam quis fructus delabi sit in profundam: "Post zephyros plus ledit hyems post gaudia luctus; unde nichil melius quam nil habuisse secundum". MOTETUS Quoniam secta latronum spelunca vispilionum vulpes que Gallos roderat tempore quo regnaverat leo cecatus subito suo ruere merito in morta privata bonis concinat Gallus Nasonis dicta que dolum acuunt: "omnia sunt hominum tenui pendencia filo et subito casu que valuere ruunt". TENOR Merito hec patimur. TranslationTRIPLUMIn a flash, raging Fortune fearlessly toppled the tribe which did not shrink from seizing power in a disgraceful way; she did not spare its leader the gibbet. that she might reduce him publicly as an eternal example for all men. If any people in the future should go beyond the limit. in which case they may well fall since such a tribe has just fallen. they should know what fruits falling to the depths will be: after the gentle West Wind the stormy tempest bears more affliction; so also of sorrow after joy; from which it follows that nothing is better than to have nothing favourable. MOTETUS Since the band of thieves. the den of grave-robbers. and the fox who gnawed away at the roosters while the blind lion reigned all have suddenly fallen by their own faults and encountered death deprived of their possessions. may the rooster now sing the words of Ovid which cuttingly mock their deceit: all man's fortunes are held suspended by a thread and when suddenly it breaks. those who were strong fall. TENOR Justly we suffer this. Text revision and translation © Alexander Blachly |
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