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S'il estoit nulz; S'Amours tous amans; Et gaudebit cor vestrumThree-voice motet by Guillaume de Machaut SourcesNew York: Wildenstein Collection, fol. 265v (3/2);Paris: Bibliothèque Nationale, fonds français 1584 (MachA), fol. 419v (3/2); Bibliothèque Nationale, fonds français 1585 (MachB), fol. 263v (3/2); Bibliothèque Nationale, fonds français 1586 (MachC), fol. 210v (3/2); Bibliothèque Nationale, fonds français 9221 (MachE), fol. 136v (3/2); Bibliothèque Nationale, fonds français 22546 (MachG), fol. 107v (3/2). Editions1. Guillaume de Machaut: Musikalische Werke. Dritter Band: Motetten, edited by Friedrich Ludwig, Leipzig: Breitkopf & Härtel, 1929, p. 24.2. The Works of Guillaume de Machaut, First Part, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956. Polyphonic Music of the Fourteenth Century II, p. 127. 3. Historical Anthology of Music. Vol. I. Oriental, Medieval and Renaissance Music, edited by Archibald T. Davison and Willi Apel, Cambridge/Massachusetts: Harvard University Press, 1966, no. 44. Text EditionsGuillaume de Machaut: poésies lyriques, 2 vols., edited by V. Chichmaref, Paris: 1909, p. 493.Literature1. MACHABEY, Armand. Guillaume de Machault, 130?-1377: La vie et l'oeuvre musicale, 2 vols, Paris: Richard-Masse-Editeur, 1955. Bibliothèque d'études musicales, pp. 77-79.2. REICHERT, Georg. 'Das Verhältnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts', Archiv für Musikwissenschaft, XIII (1956): 197ff. 3. GÜNTHER, Ursula. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, Chapter 4.5. 4. BOCKHOLDT, Rudolf. 'Semibrevis minima und Prolatio temporis', Die Musikforschung, XVI (1963), p. 11. 5. SANDERS, Ernest. 'The mediaeval motet', Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade, Erste Folge, Bern, Munich: 1971, pp. 497-573. 6. WERNLI, A. 'La percettibilità delle strutture isoritmiche: osservazioni sui mottetti di Guillaume de Machaut', Studi Musicali, VI (1977), pp. 16-18. 7. LEGUY, Sylvette. 'Les procédés de composition dans l'oeuvre de Machaut (à l'exclusion de la Messe)', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, pp. 307-320. 8. GÜNTHER, Ursula. 'Contribution de la musicologie à la biographie et à la chronologie de Guillaume de Machaut', Guillaume de Machaut, poète et compositeur. Colloque - Table Ronde, 1978, pp. 95-116. 9. BENT, Margaret. 'The Machaut manuscripts Vg, B and E', Musica Disciplina, XXXVII (1983), p. 81. Recordings1. Music of Mediaeval France 1200 - 1400 [Songs of Birds, Battles and Love, and the Flowering of the French Chanson], Deller Consort, Concentus Musicus Vienna, directed by Alfred Deller, Nicolaus Harnoncourt (1961): Bach Guild BG 70656 (mono BG 656).2. Medieval Music at the Prague Court, Musica Antiqua Vienna, Pro Arte Antiqua Vienna, Prague Madri, directed by Rene Clemenic, Miroslav Venhoda (1965): Supraphon SUAST 50598/GSST 50598/GS 10598 (CZE). 3. The Ars Nova: Vocal Music of 14-Century France and Italy, Capella Cordina, directed by Alejandro Planchart (1966): Expériences Anonymes EA/EAS 83. 4. Historical Anthology of Music in Performance. Vol. 1: Late Medieval Music (1300 - 1400), University of Chicago Collegium Musicum, South Illinois Univ, directed by Howard Mayer Brown, Wesley Morgan (1968?): Pleiades P 250. 5. [Machaut], Accademia Monteverdiana and soloists, directed by Denis Stevens (1973): Musical Heritage Society Orpheus 437. |
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