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Martyrum gemma latria; Diligenter inquiramus; A Christo honoratusThree-voice motet by Guillaume de Machaut SourcesIvrea: Biblioteca Capitolare 115, fol. 10v-11 (3/2);New York: Wildenstein Collection, fol. 278v (3/2); Paris: Biblioth�que Nationale, fonds fran�ais 1584 (MachA), fol. 432v (3/2); Biblioth�que Nationale, fonds fran�ais 1585 (MachB), fol. 276v (3/2); Biblioth�que Nationale, fonds fran�ais 1586 (MachC), fol. 223v (3/2); Biblioth�que Nationale, fonds fran�ais 9221 (MachE), fol. 144 (3/2); Biblioth�que Nationale, fonds fran�ais 22546 (MachG), fol. 120v (3/2); Biblioth�que Nationale, fonds nouv. acq. fran�ais 23190 (olim Serrant Ch�teau, ducs de la Tr�mo�lle), fol. 23v-24 (lost). Editions1. Guillaume de Machaut: Musikalische Werke. Dritter Band: Motetten, edited by Friedrich Ludwig, Leipzig: Breitkopf & H�rtel, 1929, p. 68.2. The Works of Guillaume de Machaut, Second Part, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1956. Polyphonic Music of the Fourteenth Century III, p. 8. Text EditionsGuillaume de Machaut: po�sies lyriques, 2 vols., edited by V. Chichmaref, Paris: 1909, p. 521.Literature1. MACHABEY, Armand. Guillaume de Machault, 130?-1377: La vie et l'oeuvre musicale, 2 vols, Paris: Richard-Masse-Editeur, 1955. Biblioth�que d'�tudes musicales, pp. 101-103.2. REICHERT, Georg. 'Das Verh�ltnis zwischen musikalischer und textlicher Struktur in den Motetten Machauts', Archiv f�r Musikwissenschaft, XIII (1956): 197ff. 3. G�NTHER, Ursula. Der musikalische Stilwandel der franz�sischen Liedkunst in der zweiten H�lfte des 14. Jahrhunderts, dargestelt an Virelais, Balladen und Rondeax von Machaut., Ph.D. dissertation, University of Hamburg: 1957, Chapter 4.5. 4. G�NTHER, Ursula. 'Contribution de la musicologie � la biographie et � la chronologie de Guillaume de Machaut', Guillaume de Machaut, po�te et compositeur. Colloque - Table Ronde, 1978, pp. 95-116. 5. FULLER, Sarah. 'Modal Tenors and tonal orientation in motets of Guillaume de Machaut', Studies in Medieval Music: Festschrift for Ernhest H. Sanders, New York: Columbia University Press, 1990, p. 231. RecordingsThe Italian Trecento, Columbia University Collegium Musicum, directed by Richard Taruskin: Collegium Stereo JE 105. |
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