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Donna, s'i' t'[h]o fallitoballata by Francesco Landini SourcesAssisi: Biblioteca Comunale 187, fol. 108;Florence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 158 (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 1 (2/2); London: British Library, Additional 29987, fol. 23 (2/1); Lucca: Archivio di Stato 184 (Mancini Codex), fol. 47v (2/?); Oxford: Bodleian Library, MS Canonici Latin Patristic [Scriptores Ecclesiastici] 229, number 9 (2/?); Paris: Bibliothèque Nationale, fonds italien 568, fol. 85v-86 (2/2); Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 34 (2/2). Facsimiles1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).2. ZIINO, Agostino. 'Un antico "Kyrie" a due voci per strumento a tastiera', Nuova rivista musicale italiana, XV/4 (1981), (p. 632). 3. CENCI, Cesare. Bibliotheca manuscripta ad sacrum conventum assisiensem, vol. I, Assisi: Casa Editrice Francescana, 1981, fig. 16. 4. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 1 (FP). 5. The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990. 6. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. The Works of Francesco Landini, edited by Leonard Ellinwood, Cambridge/Massachusetts: The Mediaeval Academy of America, 1939, p. 81.2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 284. 3. The Works of Francesco Landini, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1958. Polyphonic Music of the Fourteenth Century IV, p. 1. 4. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 39. 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text EditionsCORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 165.Literature1. D'ANCONA, Alessandro. La poesia popolare italiana, 2nd edition, Livorno: R. Giusti, 1907.2. LUDWIG, F. 'Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts', Handbuch der Musikgeschichte, edited by G. Adler, vol. I, Frankfurt am Main: Frankfurter Verlag, 1924, p. 282. 3. CORSI, Giuseppe. 'Madrigali e ballate inedite del Trecento', Belfagor, XIV (1959), p. 332. 4. GÜNTHER, Ursula. 'Die "anonymen" Kompositionen des Ms. Paris BN, fonds ital, 568 (Pit)', Archiv für Musikwissenschaft, XXIII (1966), pp. 82-85. 5. PROFESSIONE, A. Inventario dei manoscritti della Biblioteca Capitolare di Ivrea, rev. ed. 1967. 6. ZIINO, Agostino. 'Un antico "Kyrie" a due voci per strumento a tastiera', Nuova rivista musicale italiana, XV/4 (1981), p. 629. 7. FALLOWS, David. 'Specific information on the ensembles for composed polyphony, 1400-1474', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: C.U.P., 1983, pp. 140-141. 8. YUDKIN, Jeremy. Music in Medieval Europe, Englewood Cliffs, New Jersey: Prentice Hall, 1989, pp. 540-542. Recordings1. Francesco Landini 1325 - 1397, Early Music Studio, directed by Thomas Binkley (1973): EMI-Reflexe 1CO63-30-113 (GER).2. Il Solazzo: music for a medieval banquet, Judith Malafronte, mezzo-soprano, and Drew Minter, countertenor, The Newberry Consort (1990): Harmonia Mundi 907038. |
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