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Poi che da te mi convien partir viaballata by Francesco Landini SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 142v (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 5 (2/2);Grottaferrata: Biblioteca dell' Abbazia E. B.XVI (olim 374), fol. 3 (Cantus only, fragment); London: British Library, Additional 29987, fol. 36 (2/2); Lucca: Archivio di Stato 184 (Mancini Codex), fol. 52 (3/2); Paris: Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 9v-10 (2/2); Treviso: Biblioteca Comunale 43, fol. 6v (text). Facsimiles1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).2. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 10 (FP). 3. The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990. 4. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. The Works of Francesco Landini, edited by Leonard Ellinwood, Cambridge/Massachusetts: The Mediaeval Academy of America, 1939, p. 147.2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 246. 3. The Works of Francesco Landini, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1958. Polyphonic Music of the Fourteenth Century IV, p. 16. 4. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 5. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. 6. The Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990. Text EditionsCORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 213.Literature1. CORSI, Giuseppe. 'Madrigali e ballate inedite del Trecento', Belfagor, XIV (1959), p. 333.2. FISCHER, Kurt von. 'Ein neues Trecentofragment', Festschrift für Walter Wiora, edited by L. Finscher & C. H. Mahling, Basel and New York:Bärenreiter, 1968, p. 266. 3. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter: 1984, pp. 55-76. RecordingsInstruments of the Middle Ages and Renaissance, Early Music Consort of London, directed by David Munrow (1976): EMI SLS 988(2) (GB). |
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