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Se pronto non sara l'uom al ben fareballata by Francesco Landini SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 170 (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 12v (2/2); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 103v (2/2);London: British Library, Additional 29987, fol. 27 (2/2); Modena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 15v (2/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 91v-92 (2/2). Facsimiles1. Poesie musicali dei secoli XIV, XV, XVI, edited by Antonio Capelli: Bologna, 1868.2. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 391 (Fl87). 3. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo). 4. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 29 (FP). 5. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. Musikgeschichte in Beispielen, edited by Hugo Riemann, Leipzig: E. A. Seeman, 1925, no. 5.2. The Works of Francesco Landini, edited by Leonard Ellinwood, Cambridge/Massachusetts: The Mediaeval Academy of America, 1939, p. 157. 3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 313. 4. The Works of Francesco Landini, edited by Leo Schrade, Monaco: Editions de L'Oiseau-Lyre, 1958. Polyphonic Music of the Fourteenth Century IV, p. 32. 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text EditionsCORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 220.Literature1. GANDOLFI, R. 'Di una ballata con musica del secolo XIV', La nuova musica, I/12 (1896), p. 2.2. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelbände der internationale Musikgesellschaft, III (1901), pp. 615-616. 3. FERRARI, S. Madrigali e ballate del secolo decimoquarto, Bologna: Zanichelli, 1903. 4. APEL, Willi. The Notation of Polyphonic Music 900-1600, Cambridge/Massachusetts: The Medieval Academy of America, 1942, pp. 390-392, & example 52. 5. ELLINWOOD, Leonard. 'The Fourteenth Century in Italy', [chapter 2 of] The New Oxford History of Music. III. Ars Nova and the Renaissance, edited by Dom Anselm Hughes and Gerald Abraham, London: Oxford University Press, 1960, pp. 50-51. 6. SEAY, Albert. Music in the Medieval World, Englewood Cliffs, New Jersey: Prentice-Hall, 1975, p. 163. 7. FISCHER, Kurt von. 'Zum Wort-Ton Problem in der Musik des italienischen Trecento', Festschrift Arnold Geering zum 70. Geburtstag, Bern-Stuttgart: P. Haupt, 1972, p. 53. 8. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31. 9. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. |
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