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Chon brachi assai e chon molti sparveriThree-voice caccia by Giovanni da Cascia SourcesFlorence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 93v-94 (3/2).FacsimilesIl codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 166.Editions1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 16.2. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, Amsterdam: American Institute of Musicology, 1954. Corpus Mensurabilis Musicae 8/I, p. 44. 3. A Treasury of Early Music: An Anthology of Masterworks of the Middle Ages, the Renaissance and the Baroque Era, edited by Carl Parrish, New York: Norton, 1958, p. 16. 4. HARMAN, Alec. Man and His Music: The Story of Musical Experience in the West. Vol I: Mediaeval and Early Renaissance Music, London: Barrie and Rockliff, 1962, p. 162 [R Marrocco]. 5. Italian Secular Music by Magister Piero, Giovanni da Firenze and Jacopo da Bologna, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1967. Polyphonic Music of the Fourteenth Century VI, p. 28. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1089.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 9. Literature1. Cacce in rima dei secoli XIV e XV, edited by Giosuč Carducci, Bologna: Zanichelli, 1896.2. PIRROTTA, Nino. 'Note ad "Anna" o dei dispetti amorosi', Accademia: Rivista italiana di lettere, arti, scienze (Palermo), I/2 (1945): 7. 3. FISCHER, Kurt von. 'On the technique, origin and evolution of Italian Trecento music', Musical Quarterly, XLVII (1961), p. 43. 4. FISCHER, Kurt von. 'Les compositions ŕ trois voix chez les compositeurs du Trecento', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, p. 20. 5. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 6. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), pp. 32-33. 7. CILIBERTI, Galliano. Prodizione, consumo e diffusione della musica in Italia nel tardo medioevo, Perugia: Centro di Studi Musicali in Umbria, 1989, p. 19. Recordings1. Ecco la Primavera. Florentine Music of the 14th Century, Early Music Consort, directed by David Munrow (1969): Argo ZRG 642 (GB).2. Bestiarium, Elisabetta de' Mircovich, Claudia Caffagni, Ella de' Mircovich, Livia Caffagni, La Reverdie (1991): Nuova Era 6970. |
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