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Prima virtut'F constringer la linguamadrigal by Jacopo da Bologna SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 12v-13 (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 66v-67 (2/2); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 13v-14;London: British Library, Additional 29987, fol. 12v-13 (2/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 9v-10 (2/2); Bibliothèque Nationale, fonds nouv. acq. français 6771 (Reina Codex), fol. 6 (2/2). Facsimiles1. The Music of Jacopo da Bologna, edited by W. Thomas Marrocco, Berkeley: University of California, 1954. University of California Publications in Music 5, plate III (Pn6771).2. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo). 3. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 123 (FP). 4. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. The Music of Jacopo da Bologna, edited by W. Thomas Marrocco, Berkeley: University of California, 1954. University of California Publications in Music 5, p. 87 (Fn26).2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 29. 3. The Music of Fourteenth-Century Italy, edited by Nino Pirrotta, Rome: American Institute of Musicology, 1963. Corpus Mensurablis Musicae 8/IV, p. 22. 4. Italian Secular Music by Magister Piero, Giovanni da Firenze and Jacopo da Bologna, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1967. Polyphonic Music of the Fourteenth Century VI, p. 140 (Fn26)., p. 142 (Lbl29987). 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1024.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 44. Literature1. LI GOTTI, Ettore. La poesia musicale italiana del secolo XIV, Palermo: Palumbo, 1944, p. 54.2. MARROCCO, W. Thomas. 'The fourteenth-century madrigal, its form and contents', Speculum, XXVI (1951), p. 454. 3. FISCHER, Kurt von. 'Zur Entwicklung der italienischen Trecento-Notation', Archiv für Musikwissenschaft, XVI (1959), pp. 95-96. 4. PLAMENAC, D. 'Faventina', Liber Amicorum Charles van den Borren, edited by Albert Vander Linden, Antwerp: Lloyd Anversois, 1964, p. 146. 5. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 6. WESSELY, O. 'Über den Hoquetus in der Musik zu Madrigalen des Trecento', De Ratione in Musica. Festschrift Erich Schenk zum 5. Mai 1972, Kassel: Bärenreiter, 1975, pp. 18-19. 7. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 8. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31. 9. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. RecordingsJacopo da Bologna: Italienische Madrigale des 14. Jahrhunderts, P.A.N. Ensemble Project Ars Nova (1985): Harmonia Mundi HM 738A. |
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