La Trobe University - Library: Medieval Music Database - Annual cycle of feasts of liturgical chant, liturgical polyphony and secular music of the late middle ages.

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Medieval Music Database

Per sparverare tolsi el mio sparvero
caccia by Jacopo da Bologna

Sources

Florence: Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 70 (3/2);
London: British Library, Additional 29987, fol. 21v-22 (3/2).

Facsimiles

1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).
2. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 130 (FP).

Editions

1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 77 (Fn26).
2. The Music of Jacopo da Bologna, edited by W. Thomas Marrocco, Berkeley: University of California, 1954. University of California Publications in Music 5, p. 81 (Fn26).
3. The Music of Fourteenth-Century Italy, edited by Nino Pirrotta, Rome: American Institute of Musicology, 1963. Corpus Mensurablis Musicae 8/IV, p. 37.
4. Italian Secular Music by Magister Piero, Giovanni da Firenze and Jacopo da Bologna, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1967. Polyphonic Music of the Fourteenth Century VI, p. 132 (Fn26)., p. 135 (Lbl29987).
5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985.
6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983.

Text Editions

1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1090.
2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 52.

Literature

1. Poesie italiane inedite di dugento autori dall'origine della lingua infino al secolo decimosettimo, 2 vols., edited by F. Trucchi, Prato: Ranieri Guasti, 1846-1847.
2. Cacce in rima dei secoli XIV e XV, edited by Giosuè Carducci, Bologna: Zanichelli, 1896.
3. FISCHER, Kurt von. 'Zur Entwicklung der italienischen Trecento-Notation', Archiv für Musikwissenschaft, XVI (1959), p. 90.
4. FISCHER, Kurt von. 'On the technique, origin and evolution of Italian Trecento music', Musical Quarterly, XLVII (1961), pp. 41, 45.
5. FISCHER, Kurt von. 'Les compositions à trois voix chez les compositeurs du Trecento', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, p. 23.
6. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.
7. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224.
8. BRASOLIN, M.T. 'Proposte per una classificazione metrica delle cacce trecentesche', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 93.
9. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim.
10. CILIBERTI, Galliano. Prodizione, consumo e diffusione della musica in Italia nel tardo medioevo, Perugia: Centro di Studi Musicali in Umbria, 1989, p. 19.

Content Approved by: MMDB Director
Last updated: Wednesday, 19 March 2003

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