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Ne l'acqua chiara e dolce pescandocaccia by Vincenzo da Rimini SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 36v-37 (3/2); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 94v (Cantus only);London: British Library, Additional 29987, fol. 39v-40 (3/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 32v-33 (3/2). Facsimiles1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, plates IVa,b (Lbl29987).2. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo). 3. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 57 (Fl87).2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 67. 3. The Music of Fourteenth-Century Italy, edited by Nino Pirrotta, Rome: American Institute of Musicology, 1963. Corpus Mensurablis Musicae 8/IV, p. 50. 4. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 16 (Pn568)., p. 21 (Lbl29987). 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text Editions1. CORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 1093.2. CORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 84. Literature1. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.2. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 3. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 4. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31. 5. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. RecordingsMusik des Trecento um Jacopo da Bologna, Ricercare-Ensemble für Alte Musik, Zürich, directed by Michel Piguet (1973): EMI-Reflexe 1C063-30-111 (GER)/ 1C163-30-107/12 (GER). |
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