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I' fu' ggia usignolo in tenpo vertemadrigal by Donato da Firenze with text by Niccolò Soldanieri SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 73v-74 (2/2); Biblioteca Medicea-Laurenziana, Rediano 184, fol. 111 (text); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 59v (Cantus only);Lucca: Archivio di Stato 266, fol. 8v (text); Milan: Biblioteca Trivulziana 193, fol. 118 (text); Paris: Biblioth�que Nationale, fonds italien 568, fol. 17v-18 (2/2). FacsimilesIl Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992.Editions1. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 103.2. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 8/III, p. 29. 3. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 46 (Pn568). Literature1. K�NIGSL�W, Annamarie von. Die italienischen Madrigalisten des Trecento, W�rzburg-Aum�hle: Triltsch, 1940, pp. 15-16, ex. 15.2. G�NTHER, Ursula. 'Die "anonymen" Kompositionen des Ms. Paris BN, fonds ital, 568 (Pit)', Archiv f�r Musikwissenschaft, XXIII (1966), p. 78. 3. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 4. WESSELY, O. '�ber den Hoquetus in der Musik zu Madrigalen des Trecento', De Ratione in Musica. Festschrift Erich Schenk zum 5. Mai 1972, Kassel: B�renreiter, 1975, p. 23. 5. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 6. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31. 7. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter: 1984, pp. 55-76. 8. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. RecordingsFlorentine Music (Ars Nova and Renaissance), New York Pro Musica, directed by La Noue Davenport: Decca DL 9428, 79428. |
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