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Un bel girfalco sces' alle mie gridamadrigal by Donato da Firenze with text by Niccolò Soldanieri SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 71v-72 (2/2); Biblioteca Medicea-Laurenziana, Rediano 184, fol. 111v (text); San Lorenzo, Archivio Capitolare 2211 [palimpsest], fol. 52v-53;Milan: Biblioteca Trivulziana 193, fol. 113v (text); Paris: Biblioth�que Nationale, fonds italien 568, fol. 15v-16 (2/2). Facsimiles1. GANDOLFI, Riccardo. Illustrazioni d'alcuni cimeli concernenti l'arte musicale in Firenze, Florence: La Commissione per L'Esposizione di Vienna, 1892, plate XII (Fl87).2. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & H�rtel, 1904. [reprinted Hildesheim: G. Olms, 1965], p. 79 (Fl87, diplomatic). 3. GALLO, F. Alberto. Il Medioevo, vol. II, Turin: Edizioni di Torino, 1977. [English translation as Music of the Middle Ages, vol. II, Cambridge: Cambridge University Press, 1985], plate 3 (Fl87). 4. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. WOLF, Johannes. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., Leipzig: Breitkopf & H�rtel, 1904. [reprinted Hildesheim: G. Olms, 1965], Vol. III, p. 114 (Fl87).2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 99. 3. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 8/III, p. 37. 4. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 69 (Pn568). Text EditionsCORSI, Giuseppe. Rimatori del Trecento, Turin: Unione tipografica editrice torinese, 1969, p. 745.Literature1. G�NTHER, Ursula. 'Die "anonymen" Kompositionen des Ms. Paris BN, fonds ital, 568 (Pit)', Archiv f�r Musikwissenschaft, XXIII (1966), p. 78.2. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 3. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 4. BENT, Margaret. 'Notation. III/3. Polyphonic mensural notation, c1260-1500', The New Grove, XIII (1980): 362-370. 5. D'ACCONE, Frank. 'Una nuova fonte dell' "Ars nova" italiana: il codice di San Lorenzo, 2111', Studi Musicali, XIII (1984): 3-31. 6. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter: 1984, pp. 55-76. 7. NADAS, John. 'Editorial practices in early Quattrocento Florentine anthologies of secular polyphony', L'Ars nova italiana del Trecento VI: Certaldo 1984, Certaldo: Centro di Studio L'ars nova italiana, 1992. |
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