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Vidi ne l'ombra d'una bella lucemadrigal by Lorenzo da Firenze SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 47v-48 (2/2); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 78v-79 (2/2);London: British Library, Additional 29987, fol. 32v-33 (2/2); Paris: Bibliothèque Nationale, fonds italien 568, fol. 23v-24 (2/2); Rome: Biblioteca Apostolica Vaticana, Ottoboniano latino 1790, fol. 77 (Cantus fragment only). Facsimiles1. The Manuscript London, British Museum Add. 29987, facsimile edition by Gilbert Reaney, [n.p.]: American Institute of Musicology, 1965. Musicological Studies and Documents 13, (Lo).2. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 143 (FP). 3. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. WOLF, Johannes. 'Musica fiorentina nel secolo XIV', La nuova musica, Appendice musicale I-III (1899,1900,1901), p. 70.2. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 79. 3. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 8/III, p. 15. 4. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 168 (Fn26)., p. 171 (Lbl29987). 5. GOZZI, Marco. [London, British Library 29987: Transcription and Commentary], 2 vols., dissertation, Cremona, Scuola di paleografica musicale, University of Pavia: 1984-1985. 6. GARFORTH, Constance C. The Lo Manuscript: A Trecento Collection, Ph.D. dissertation, Northwestern University: 1983. Text EditionsCORSI, Giuseppe. Poesie musicali del Trecento, Bologna: Commissione per i testi di lingua, 1970, p. 76.Literature1. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim.2. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. RecordingsImprovisation in der Instrumentalmusik des Mittelalters (In memoriam Jason Paras), Das Mittelalter-Ensemble der Schola Cantorum Basiliensis (1983): Harmonia Mundi HM 624. |
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