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A poste messe veltr' e gran mastiniThree-voice caccia by Lorenzo da Firenze SourcesFlorence: Biblioteca Medicea-Laurenziana, Palatino 87 (Squarcialupi Codex), fol. 49v-50 (3/3); Biblioteca Medicea-Laurenziana, Rediano 184, fol. 113v (text); Biblioteca Nazionale Centrale, Panciatichiano 26, fol. 76v-77 (3/3);Rome: Biblioteca Apostolica Vaticana, Chigiano L.IV.131, fol. 257v (text). Facsimiles1. Il codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze, facsimile edition by F. Alberto Gallo, Florence: Leo S. Olschki Editore, 1981, no. 140 (FP).2. Il Codice Squarcialupi edited by F. Alberto GALLO, Lucca: Libreria Musicale Italiana, 1992. Editions1. MARROCCO, W. Thomas. Fourteenth-Century Italian Cacce, Cambridge/Massachusetts: The Medieval Academy of America, 1942, p. 3 (Fl87).2. Die mittelalterliche Mehrstimmigkeit, edited by Heinrich Husmann, Cologne: Arno Volk Verlag, 1954. Das Musikwerk IX. [English edition as Medieval Polyphony, Anthology of Music IX, 1962], p. 52 (Fn26, Fl87). 3. Der Squarcialupi-Codex Pal. 87 der Biblioteca Medicea Laurenziana zu Florenz, edited by Johannes Wolf and H. Albrecht, Lippstadt: Kistner and Siegel, 1955, p. 84. 4. The Music of Fourteenth Century Italy, edited by Nino Pirrotta, [n.p.]: American Institute of Musicology, 1962. Corpus Mensurabilis Musicae 8/III, p. 17. 5. Italian Secular Music by Vincenzo da Rimini, Rosso de Chollegrana, Donato da Firenze, Gherardello da Firenze, Lorenzo da Firenze, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1971. Polyphonic Music of the Fourteenth Century VII, p. 120 (Fn26). Text EditionsCacce in rima dei secoli XIV e XV, edited by Giosuè Carducci, Bologna: Zanichelli, 1896, p. 19.Literature1. WOLF, Johannes. 'Florenz in der Musikgeschichte des 14. Jahrhunderts', Sammelbände der internationale Musikgesellschaft, III (1901), p. 607.2. FISCHER, Kurt von. 'On the technique, origin and evolution of Italian Trecento music', Musical Quarterly, XLVII (1961), p. 50. 3. FISCHER, Kurt von. 'Les compositions à trois voix chez les compositeurs du Trecento', L'Ars nova italiana del Trecento I: Certaldo 1959, 1962, p. 24. 4. MAIN, A. 'Lorenzo Masini's Deer Hunt', The Commonwealth of Music.in Honor of Curt Sachs, edited by G. Reese and R. Brandel, New York: The Free Press of Glencoe, 1965, p. 148. 5. FELLIN, Eugene C. A Study of Superius Variants in the Sources of Italian Trecento Music: Madrigals and Cacce, Ph.D. dissertation, University of Wisconsin: 1970, passim. 6. TOGUCHI, K. 'Sulla struttura e l'esecuzione di alcune cacce italiane. Un cenno sulle origini delle cacce arsnovistiche', L'Ars nova italiana del Trecento III: Certaldo 1969, 1970, p. 68. 7. FELLIN, Eugene C. 'The notation-types of Trecento music', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, pp. 211-224. 8. BAUMANN, Dorothea. Die dreistimmige italienische Lied-Satztechnik im Trecento, Baden-Baden: Valentin Koerner, 1979. Sammlung musikwissenschaftlicher Abhandlung no. 64, passim. 9. WILKINS, Nigel. Music in the Age of Chaucer, Cambridge: D. S. Brewer, 1979. Chaucer Studies I, p. 61. 10. GALLO, F. Alberto. 'The musical and literary tradition of 14th century poetry set to music', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter: 1984, pp. 55-76. 11. NEWES, Virginia. 'Chace, caccia, fuga: the convergence of French and Italian traditions', Musica Disciplina, XLI (1987), p. 28 n. 6. Recordings1. Douce Dame: Music of Courtly Love from Medieval France and Italy, The Waverly Consort, directed by Michael Jaffee (1973): Vanguard VSD 71179.2. Das Fest des Pierbaldo (Le Festin de Pierbaldo) nach dem Sonettenkranz "Mundus Pacidus" des Simon d'Orvieto, Les Ménestrels - Wiener Ensemble für alte Musik (1973): Musical Heritage Society MHS 3289. |
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