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Pour bel acueil suy je, las, decenThree-voice rondeau by Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 45v (3/1).Editions1. Geschichte der Musik in Beispielen, edited by Arnold Schering, Leipzig: Breitkopf & Härtel, 1931, no. 24.2. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 12. 3. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 368. 4. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 127. 5. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 24. LiteratureFISCHER, Kurt von. 'Text underlay in Landini's ballate for three voices', Current Musicology, 45-47 (1990), p. 182.RecordingsMatteo da Perugia: Secular Works, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1979): Florilegium DSLO 577 (GB). |
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