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Trover ne puis aucunemant confortThree-voice rondeau by Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 47 (3/2).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 13.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 130. 3. French Secular Music. Rondeaux and Miscellaneous Pieces, edited by Gordon K. Greene, with literary texts by Terence Scully, Monaco: Editions de Oiseau-Lyre, 1989. Polyphonic Music of the Fourteenth Century XXII, p. 30. Literature1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925): 167-252.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 3. REANEY, Gilbert. 'Transposition and "key" signatures in late medieval music', Musica Disciplina, XXXIV (1979), p. 35. RecordingsMatteo da Perugia: Secular Works, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1979): Florilegium DSLO 577 (GB). |
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