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Dame que j'aym sour toutes de ma enfancevirelai by Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 11v-12 (3/1).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 5.2. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 108. 3. French Secular Music. Virelais, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XXI, p. 22. Literature1. FANO, Fabio. 'Origini della cappella musicale del duomo di Milano. Il primo maestro di cappella: Matteo da Perugia (1402-16)', Rivista musicale italiana, LV (1953), p. 21.2. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., pp. 61-62. 3. The Motets of the Manuscripts Chantilly, Musée Condé, 564 (olim 1047) and Modena, Biblioteca Estense, a M. 5,24 (olim lat. 568), edited by Ursula Günther, [n.p.]: American Institute of Musicology, 1965. Corpus Mensurabilis Musicae 39, p. lvi. RecordingsMatteo da Perugia: Secular Works, The Medieval Ensemble of London, directed by Peter Davies & Timothy Davies (1979): Florilegium DSLO 577 (GB). |
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