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Andray soulet au mielz que je pourayThree-voice untexted work by Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 41v (3/0).Editions1. French Secular Music of the Late Fourteenth Century, edited by Willi Apel, Cambridge/Massachusetts: Medieval Academy of America, 1950, no. 22.2. GOMBOSI, Otto. Review of: French Secular Music of the Fourteenth Century, edited by Willi Apel, Musical Quarterly, XXXVI (1950), p. 609. 3. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 381. 4. French Secular Compositions of the Fourteenth Century, music edited by Willi Apel, texts edited by Samuel N. Rosenberg, Rome: American Institute of Musicology, 1970. Corpus Mensurabilis Musicae 53/I, p. 132. 5. Troisième livre d'ensemble pour flûtes à bec, edited by Michel Sanvoisin, Paris: Heugel, 1973, p. 10. 6. French Secular Music. Ballades and Canons, edited by Gordon K. Greene, Monaco: Editions de L'Oiseau-Lyre, 1982. Polyphonic Music of the Fourteenth Century XX, p. 207. Literature1. FANO, Fabio. 'Origini della cappella musicale del duomo di Milano. Il primo maestro di cappella: Matteo da Perugia (1402-16)', Rivista musicale italiana, LV (1953), p. 21.2. VAN, Guillaume de. 'La pedagogie musicale a la fin du moyen âge', Musica Disciplina, XXIII (1968), p. 90. 3. GÜNTHER, Ursula. 'Fourteenth-century music with texts revealing performance practice', Studies in the Performance of Late Mediaeval Music, edited by Stanley Boorman, Cambridge: Cambridge University Press, 1983, p. 263. 4. GÜNTHER, Ursula. 'Sinnbezüge zwischen Text und Musik in Ars nova und Ars subtilior', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, p. 263. Recordings1. Music of the Ars Nova, Columbia University Collegium Musicum, directed by Richard Taruskin: Collegium Stereo JE 101.2. Music of Mediaeval France 1200 - 1400 [Songs of Birds, Battles and Love, and the Flowering of the French Chanson], Deller Consort, Concentus Musicus Vienna, directed by Alfred Deller, Nicolaus Harnoncourt (1961): Bach Guild BG 70656 (mono BG 656). 3. An Audio Visual History of Music. Part I: From the Beginnings Through the Middle Ages, compiled by Henry W. Simon (1970): EAV LE7801 (USA). 4. The Late 14th Century Avant Garde, Early Music Consort of London, directed by David Munrow (1973): EMI/HMV ASD 3621 (GB). 5. Transformations, Music for a While, directed by Richard Taruskin (1974): 1750 Arch Records 1753. |
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