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Gloriaattributed to Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 4v-5 (4/3) (plus Tenor solus).Editions1. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 263.2. Italian Sacred and Ceremonial Music, edited by Kurt von Fischer and F. Alberto Gallo, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XIII, p. 78. Literature1. LUDWIG, Friedrich. 'Die mehrstimmige Messe des 14. Jahrhunderts', Archiv für Musikwissenschaft, VII (1925), p. 423.2. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. Günther and L. Finscher, Kassel: Bärenreiter, 1984, pp. 121-154. RecordingsThe Spirits of England and France, Gothic Voices, directed by Christopher Page (1994): Hyperion CDA66739. |
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