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Credoattributed to Matteo da Perugia SourcesModena: Biblioteca Estense e Universitaria a.M.5.24 (Latino 568; olim IV.D.5), fol. 8v-10 (3/3).Editions1. FANO, Fabio. Le origini e il primo maestro di cappella: Matteo da Perugia. Part 1 of La cappella musicale del duomo di Milano (with G. Cesari), Milan: Ricordi, 1956. Instituzioni e monumenti dell'arte musicale italiana, nuov. ser. 1., p. 288.2. Italian Sacred and Ceremonial Music, edited by Kurt von Fischer and F. Alberto Gallo, Monaco: Editions de L'Oiseau-Lyre, 1987. Polyphonic Music of the Fourteenth Century XIII, p. 154. Literature1. BESSELER, Heinrich. 'Studien zur Musik des Mittelalters. I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', Archiv f�r Musikwissenschaft, VII (1925): 167-252.2. NEWES, Virginia E. 'Imitation in the Ars nova and Ars subtilior', Revue belge de musicologie, XXXI (1977): 38-59. 3. NEWES, Virginia E. 'The relationship of text to imitative technique in 14th century polyphony', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, edited by U. G�nther and L. Finscher, Kassel: B�renreiter, 1984, pp. 121-154. |
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