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Deus deorum, Pluto, or te regratioballata by Antonius 'Zacharias' de Teramo SourcesBologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 73v-76 (3/3) (Credo Contrafactum);Lucca: Archivio di Stato 184 (Mancini Codex), fol. 58v-59 (2/2). FacsimilesThe Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.Editions1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 14.2. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: Hänssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 16. 3. Italian Secular Music, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1977. Polyphonic Music of the Fourteenth Century X, p. 106. 4. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 56. Literature1. FISCHER, Kurt von. 'Kontrafakturen und Parodien italienischen Werke des Trecento und frühen Quattrocento', Annales musicologiques: moyen-âge et Renaissance, V (1957), p. 50.2. WILLIAMS, Carol. Musica ficta in the Mancini codex [unpublished paper delivered at the Conference on medieval music], Canberra, 1978, pp. 10-12. 3. REANEY, Gilbert. 'Transposition and "key" signatures in late medieval music', Musica Disciplina, XXXIV (1979), p. 35. 4. ZIINO, Agostino. 'Magister Antonius dictus Zacharias de Teramo: alcune date e molte ipotesi', Rivista italiana di musicologia, XIV/2 (1979), p. 341, 344. 5. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120. |
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