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Un fiore gentil m'apparseballata by Antonius 'Zacharias' de Teramo SourcesBologna: Civico Museo Bibliografico Musicale, Ms Q 15, fol. 71v-73 (3/3) (Gloria Contrafactum);Lucca: Archivio di Stato 184 (Mancini Codex), fol. 58 (3/3). FacsimilesThe Lucca Codex. Codice Mancini. Introductory Study and Facsimile Edition, edited by John Nádas and Agostino Ziino, Lucca: Libreria musicale italiana editrice, 1990.Editions1. GHISI, Federico. 'Italian Ars nova music, the Perugia and Pistoia fragments of the Lucca Codex, and other unpublished early fifteenth century sources', Musica Disciplina, I/3 (1946), p. 13 (incomplete).2. NITSCHKE, W. Studien zu den Cantus-Firmus Messen Guillaume Dufays, 2 vols., Berlin: 1968, Vol. II, p. 12. 3. Keyboard Music of the Late Middle Ages in the Codex Faenza 117, edited by D. Plamenac, [n.p.]: American Institute of Musicology, 1972. Corpus Mensurabilis Musicae 57, p. 106 (PEco3065, incomplete). 4. Early Fifteenth Century Music, edited by Gilbert Reaney, [n.p.]: Hänssler-Verlag, American Institute of Musicology, 1977. Corpus Mensurabilis Musicae 11/VI, p. 12 (PEco3065). 5. Italian Secular Music, edited by W. Thomas Marrocco, Monaco: Editions de L'Oiseau-Lyre, 1977. Polyphonic Music of the Fourteenth Century X, p. 143. 6. WILLIAMS, Carol J. The Mancini Codex: A Manuscript Study, Ph.D. dissertation (University of Adelaide), 3 vols., 1983, Vol. II, p. 53. Literature1. PIRROTTA, Nino and Ettore LI GOTTI. 'Il Codice di Lucca. III. Il repertorio musicale', Musica Disciplina, V (1951), p. 139.2. PLAMENAC, Dragan. 'New light on the Codex Faenza 117', Bericht über den internationalen Kongress für Kirchenmusik in Bern, 1952, Bern: Paul Haupt, 1953, pp. 310-326. Publikationen der schweizerischen musikforschenden Gesellschaft ii/3. 3. FISCHER, Kurt von. 'Kontrafakturen und Parodien italienischen Werke des Trecento und frühen Quattrocento', Annales musicologiques: moyen-âge et Renaissance, V (1957), p. 58. 4. REANEY, Gilbert. 'Sequence, hocket, syncopation and imitation in Zacar's mass movements', L'Ars nova italiana del Trecento IV: Certaldo 1975, 1978, p. 345, 352. 5. ZIINO, Agostino. 'Magister Antonius dictus Zacharias de Teramo: alcune date e molte ipotesi', Rivista italiana di musicologia, XIV/2 (1979), pp. 339-341. 6. ZIINO, Agostino. 'Ripetizioni di sillabe e parole nella musica profana italiana del Trecento e del primo Quattrocento', Musik und Text in der Mehrstimmigkeit des 14. und 15. Jahrhunderts, Kassel: Bärenreiter, 1984, pp. 93-120. RecordingsIl Solazzo: music for a medieval banquet, Kevin Mason, lute; David Douglass and Mary Springfels, vielles, The Newberry Consort (1990): Harmonia Mundi 907038. |
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